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Gustav Mahler: The Wunderhorn Years - Chronicles and Commentaries (Paperback, 3 Revised Edition)
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Gustav Mahler: The Wunderhorn Years - Chronicles and Commentaries (Paperback, 3 Revised Edition)
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Donald Mitchell's second book on the life and work of Gustav Mahler
examines the fruitful years of the First to the Fourth Symphonies,
as well as the earlier song cycles from the Gesellen lieder to the
magical Ruckert songs. A work of painstaking and imaginative
scholarship presented in eminently readable language. MUSICAL
QUARTERLY Mitchell has amassed and processed an imposing amount of
material, most of it new... It includes a section on Mahler and
Freud, discusses Bach's influence on Mahler, and reproduces
contemporary criticism... Invaluable for Mahler scholars and
lovers. ECONOMIST Donald Mitchell's second book on the life and
work of Gustav Mahler focuses principally on Mahler's first
settings of Wunderhorn texts, volumes I and II of the Lieder und
Gesaenge; his first song-cycle, the Lieder eines fahrenden
Gesellen; and the later orchestral settings of Wunderhorn poems.
The central section of the book explores the extraordinary and
often eccentric chronology of the First, Second and Third
Symphonies' composition, an often minute exploration which reveals
the interpenetration of song and symphony in this period of
Mahler's art, emphasizes the significance for these works of
imagery drawn from the Wunderhorn anthology, and calls attention to
the ambiguous position occupied by much of Mahler's music atthis
time, suspended as it was between the rival claims - and forms - of
symphony and symphonic poem. The final section of the book not only
looks at the Fourth Symphony as the final, perhaps most perfect,
flowering of Mahler's Wunderhorn symphonies, but also investigates
such fascinating topics as the relationship between Mahler and
Berlioz, and the influence of Bach on Mahler's later masterpieces.
This new edition of the book offers an entirelynew preface, in
which Mitchell gives a unique account of the influence of politics,
nationalism and fascism on the reception and rejection of Mahler's
music, after the composer's death until the Mahler Renaissance of
the 1950s and 1960s. It also includes extensive corrigenda and
amplifying addenda, making it clear that the Wunderhorn influence
persisted beyond the end of the period during which the Wunderhorn
anthology was a constant sourceof inspiration. It is completed by
an international bibliography which documents chronologically the
reception and study of his music both in the past, and the
prodigiously different circumstances of the present. DONALD
MITCHELL was Founder Professor of Music at the University of
Sussex. He is well known for his major studies of Mahler, among his
many other books and studies. He was awarded the CBE in 2000.
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