By juxtaposing issues and problems, Donald Preziosi's latest
collection of essays, In the Aftermath of Art, opens up multiple
interpretive possibilities by bringing to the surface hidden
resonances in the implications of each text.
In re-reading his own writings, Preziosi opens up alternatives to
contemporary discourses on art history and visual culture. A
critical commentary by critic, historian, and theorist Johanne
Lamoureux complements the author's own introduction, mirroring the
multiple interpretations within the essays themselves.
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