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Books > Arts & Architecture > Performing arts > Films, cinema > Film theory & criticism

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Dracula's Daughters - The Female Vampire on Film (Hardcover) Loot Price: R2,948
Discovery Miles 29 480
Dracula's Daughters - The Female Vampire on Film (Hardcover): Douglas Brode, Leah Deyneka

Dracula's Daughters - The Female Vampire on Film (Hardcover)

Douglas Brode, Leah Deyneka

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Loot Price R2,948 Discovery Miles 29 480 | Repayment Terms: R276 pm x 12*

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Almost as long as cinema has existed, vampires have appeared on screen. Symbolizing an unholy union between sex and death, the vampire-male or female-has represented the libido, a "repressed force" that consumed its victims. Early iconic representations of male vampires were seen in Nosferatu (1922) and Dracula (1931), but not until Dracula's Daughter in 1936 did a female "sex vampire" assume the lead. Other female vampires followed, perhaps most provocatively in the Hammer films of the 1950s, '60s, and '70s. Later incarnations, in such films as Near Dark (1987) and From Dusk till Dawn (1996), offered modern takes on this now iconic figure. In Dracula's Daughters: The Female Vampire on Film, Douglas Brode and Leah Deyneka have assembled a varied collection of essays that explore this cinematic type that simultaneously frightens and seduces viewers. These essays address a number of issues raised by the female vampire film, such as violence perpetrated on and by women; reactions to the genre from feminists, antifeminists, and postfeminists; the implications of female vampire films for audiences both gay and straight; and how films reflected the period during which they were created. Other topics include female vampire films in relationship to vampire fiction, particularly by women such as Anne Rice; the relationship of the vampire myth to sexually transmitted diseases like AIDS; issues of race and misogyny; and the unique phenomenon of teen vampires in young adult books and films such as Twilight. Featuring more than thirty photos spanning several decades, this collection offers a compelling assessment of an archetypal figure-an enduring representation of dark desires-that continues to captivate audiences. This book will appeal not only to scholars and students but also to any lover of transgressive cinema.

General

Imprint: Scarecrow Press
Country of origin: United States
Release date: 2014
First published: December 2013
Editors: Douglas Brode • Leah Deyneka
Dimensions: 235 x 160 x 23mm (L x W x T)
Format: Hardcover
Pages: 318
ISBN-13: 978-0-8108-9295-8
Categories: Books > Arts & Architecture > Performing arts > Films, cinema > Film theory & criticism
LSN: 0-8108-9295-2
Barcode: 9780810892958

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