Music and Performance in the Later Middle Ages seeks to understand
the music of the later Middle Ages in a fuller perspective, moving
beyond the traditional focus on the creative work of composers in
isolation to consider the participation of performers, listeners,
and scribes in music-making. By treating the musical manuscripts of
the Chantilly Codex and the Oxford manuscript, Canonici misc. 213
not just as scores, but as artifacts of material culture, Elizabeth
Randell Upton illustrates how it is possible to recover more
evidence about the composition, performance, and consumption of
music than has previously been realized.
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