Earl Ingersoll introduces the fiction of Steven Millhauser, whose
distinguished career of more than four decades includes eight books
of short fiction and four novels, the latest being the Pulitzer
Prize-winning Martin Dressler (1996). In Understanding Steven
Millhauser, Ingersoll explores Millhauser's twelve books
chronologically, revealing the development of a major contemporary
American writer and a master of fiction who cares as deeply about
his craft as the modernists did earlier in the past century. While
most examinations of an author's work begin with at least a
biographical sketch, Ingersoll has faced distinct challenges
because Millhauser has resisted efforts to read his fiction through
the lens of his biography. Responding to an interviewer's request
for a brief biography, Millhauser provided the succinct "1943-."
Part of such resistance, Ingersoll argues, arises from Millhauser's
belief that if readers have too many questions about an author's
work, the author has failed, and no amount of response can redress
that failure. Millhauser's central characters, such as August
Eschenburg and J. Franklin Payne, are often themselves artists or
technicians who are "overreachers," and Ingersoll shows that
Millhauser's early expressions of literary realism have given way
to interest in departures from the "real." For Millhauser,
"stories, like conjuring tricks, are invented because history is
inadequate to our dreams." Millhauser's strength is the ability to
sustain obsessions because works of fiction succeed insofar as they
are able to supplant reality.
As a master fabulist, Ingersoll argues, Millhauser is preoccupied
with extravagance both in the subject matter of his fiction and in
his style. Whether it involves Martin Dressler doing himself in by
designing and constructing increasingly complex hotels or the
miniaturists in the short story "Cathay" pushing their impulse to
extremes, past the eye's ability to see their art objects,
Millhauser's fiction is full of such an impulse, which can produce
prolific artists as well as compulsive lunatics. The triumph of
Millhauser's craft, Ingersoll shows, is that it merges a
fascination with the relationship between imagination and
experience with a precise and allusive prose to produce works
seamlessly joining the everyday with the radical and fantastic, in
forms ranging from travelogues of the imagination to works merging
the waking world with the world of dreams.
General
Imprint: |
University of South Carolina Press
|
Country of origin: |
United States |
Series: |
Understanding Contemporary American Literature |
Release date: |
February 2014 |
First published: |
2014 |
Authors: |
Earl G Ingersoll
|
Dimensions: |
229 x 152 x 23mm (L x W x T) |
Format: |
Hardcover - Cloth over boards
|
Pages: |
160 |
ISBN-13: |
978-1-61117-308-6 |
Categories: |
Books
|
LSN: |
1-61117-308-6 |
Barcode: |
9781611173086 |
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