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The Moving Eye - Film, Television, Architecture, Visual Art and the Modern (Hardcover)
Loot Price: R3,343
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The Moving Eye - Film, Television, Architecture, Visual Art and the Modern (Hardcover)
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Once the province of film and media scholars, today the moving
image is of broad concern to historians of art and architecture and
designers of everything from websites to cities. As museums and
galleries devote increasing space to video installations which no
longer presuppose a fixed viewer, urban space becomes envisioned
and planned through "fly throughs," and technologies such as GPS
add data to the experience of travel, moving images have captured
the attention of geographers and scholars across the humanities and
social sciences. Their practice of "mobility studies" is remaking
how we understand a contemporary world in relentless motion. Media
theorist and historian Anne Friedberg (1952-2009) was among the
first practitioners of visual studies to theorize the experience of
vision in motion. Her books have become key points of reference in
the discussion of the windows that frame images and the viewers in
motion who perceive them. Although widely influential beyond her
own discipline, Friedberg's work has never been the subject of an
extended study. The Moving Eye: Film, Television, Architecture,
Visual Art and the Modern gathers together essays by renowned
thinkers in media studies, art history, architecture, and museum
studies to consider the rich implications of her work for
understanding film and video, new media, visual art, architecture,
exhibition design, urban space, and virtual reality. Ranging from
early cinema, to works by Le Corbusier, Sergei Eisenstein, Gordon
Matta-Clark, and Pierre Huyghe, to theories of the image in motion
informed by psychoanalysis, theories of the public sphere, and
animal studies, each of the nine essays in the book advances the
lines of inquiry commenced by Friedberg.
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