'The Constitution of Shelley's Poetry' is a close philosophical
reading of 'Prometheus Unbound' from the perspective of the
argument or drama of language played out in its pages. At its heart
a four-chapter reading of 'Prometheus Unbound', the book is
punctuated with readings of other Shelley works and prefaced with
two earlier chapters: one on 'Mont Blanc' and 'Hymn to Intellectual
Beauty', the companion poems inaugurating Shelley's poetic
maturity; the other on 'Ode to the West Wind' originally published
with 'Prometheus Unbound' and here represented as 'signature'
Shelley. The book's one most distinguishing feature, from which
several others derive, is its bringing the power and pertinence of
Stanley Cavell's thought to Shelley's poetry and to his explicitly
articulated philosophical interest in language.
The book urges and practises close reading, but it provides
philosophical grounds for this ostensibly old-fashioned approach,
and it implicitly proposes an understanding of language very
different from those now most generally assumed in literary
studies. The book's bringing of Cavell's thought to Shelley's
poetry would make two related but distinguishable contributions.
There is, first of all, the reading of Shelley's poetry, which is
new and persuasive both in many of its local moments and in its
overall thrust. Second, there is the practical demonstration of the
relevance and yield of Cavell's thought for literary studies.
General
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