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Books > Arts & Architecture > Music > Western music, periods & styles > Romantic music (c 1830 to c 1900)
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Ole Bull - Norway's Romantic Musician and Cosmopolitan Patriot (Hardcover, New)
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Ole Bull - Norway's Romantic Musician and Cosmopolitan Patriot (Hardcover, New)
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Norway's Ole Bull led one of the most remarkable and celebrated
lives of the nineteenth century. Colorful and charismatic, he was a
composer and virtuoso violinist who won acclaim from Moscow to
Cairo and from Canada to Cuba, associated with the cultural elite
of his day, and promoted himself and the culture of Norway with a
flair that rivaled P.T. Barnum's. A child prodigy, Bull was
admitted to the Bergen orchestra as first violin at the age of
eight. He soon was playing to admiring audiences across Europe and
in North America, idolized on both sides of the Atlantic for his
superb technical skill in improvisation and his ability to play the
violin polyphonically. His success was marked by controversy,
however. Though he was hailed as "the Paganini of the North", some
critics labeled him a charlatan for his seemingly magic tricks on
the violin. Ole Bull counted among his friends and admirers many of
the great names of his era: Schumann and Liszt, Emerson and Wagner.
Longfellow found in Bull a model for the musician in his Tales of a
Wayside Inn. Hans Christian Andersen portrayed Bull as a veritable
fairy prince in his "Episode of Ole Bull's Life", a
characterization that in part inspired Ibsen's Peer Gynt. Although
he spent most of his adult life abroad, Bull's love for and pride
in his native land were always manifest. He was a staunch Norwegian
nationalist, a tireless promoter of its native art and culture.
Some of the concert improvisations for which he was celebrated were
rooted in his native slatter (folkdance tunes). He modified his own
instrument, flattening the bridge and making the bow longer and
heavier, using the Norwegian Hardanger fiddle as a model. By
mid-century, Bull wasable to realize his dream of establishing a
national theater in Bergen. He gave Henrik Ibsen a start in theater
management, employed the poet Bjornstjerne Bjornson, and promoted
the music of Edvard Grieg. His attempt to establish a Norwegian
colony in the United States, however, was unsuccessful. "Oleana",
for which Bull purchased a land grant in Pennsylvania, failed in
little more than a year because of his ineptitude in selecting land
and managing financial enterprises. He made his home base, finally,
in Norway, buying an island south of Bergen where he built for
himself a fantastic palace of music. He never retired from the
concert stage. Indeed, he performed in Chicago just three months
before his death in 1880. The words of the poet Aasmund Vinje,
"That surely would be a man to write a book about", have been taken
to heart by authors Einar Haugen and his daughter Camilla Cai. In
addition to giving life once again to a fascinating and flamboyant
figure, this biography provides the first comprehensive listing of
Bull's works (with full descriptions of all known sources),
analyses of his compositions and their influences, and reviews of
his performances.
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