This critical new title in the Theatre & series explores the
fluctuating relationship between theatre and Christianity by
focusing on key points of intersection - the challenge of realism
and the real, the treatment of women and the role of amateur
performance. It covers a wide range of examples from medieval times
to today, examining how theatre and Christianity have sometimes
clashed dramatically and sometimes embraced one another to great
effect. Engaging and enlightening, this book offers an insight into
the complex dynamic between theatre and Christianity perfect for
undergraduate and postgraduate students of theatre or religious
studies.
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