Originally published in 1933, this book by famed Shakespeare critic
Elmer Edgar Stoll argues that Shakespeare's concern was more for
plot and contrast than character. Stoll examines many of
Shakespeare's plays, predominantly Othello, Macbeth, King Lear, and
Hamlet, and compares their method to that of earlier Renaissance
and medieval plays as well as more modern compositions. This book
will be of value to anyone with an interest in Shakespearean
psychology or in the history of the study of Shakespeare.
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