Like many Eastern European countries, Poland has seen a succession
of divergent economic and political regimes over the last century,
from prewar "embedded liberalism," through the state socialism of
the Soviet era, to the present neoliberal moment. Its cinema has
been inflected by these changing historical circumstances, both
mirroring and resisting them. This volume is the first to analyze
the entirety of the nation's film history-from the reemergence of
an independent Poland in 1918 to the present day-through the lenses
of political economy and social class, showing how Polish cinema
documented ordinary life while bearing the hallmarks of specific
ideologies.
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