Examined within their economic, cultural, and political context,
the work of women Maghrebi filmmakers forms a cohesive body of
work. Florence Martin examines the intersections of nation and
gender in seven films, showing how directors turn around the
politics of the gaze as they play with the various meanings of the
Arabic term hijab (veil, curtain, screen). Martin analyzes these
films on their own theoretical terms, developing the notion of
"transvergence" to examine how Maghrebi women s cinema is flexible,
playful, and transgressive in its themes, aesthetics, narratives,
and modes of address. These are distinctive films that traverse
multiple cultures, both borrowing from and resisting the discourses
these cultures propose."
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