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Voices from the Canefields - Folksongs from Japanese Immigrant Workers in Hawai'i (Hardcover)
Loot Price: R1,974
Discovery Miles 19 740
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Voices from the Canefields - Folksongs from Japanese Immigrant Workers in Hawai'i (Hardcover)
Series: American Musicspheres
Expected to ship within 12 - 17 working days
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Folk songs are short stories from the souls of common people. Some,
like Mexican corridos or Scottish ballads, reworked in the
Appalachias, are stories of tragic or heroic episodes. Others, like
the African American blues, reach from a difficult present back
into slavery and forward into a troubled future. Japanese workers
in Hawaii's plantations created their own versions, in form more
akin to their traditional tanka or haiku poetry. These holehole
bushi describe the experiences of one particular group caught in
the global movements of capital, empire, and labor during the late
nineteenth and early twentieth centuries. In Voices from the
Canefields author Franklin Odo situates over two hundred of these
songs, in translation, in a hitherto largely unexplored historical
context. Japanese laborers quickly comprised the majority of
Hawaiian sugar plantation workers after their large-scale
importation as contract workers in 1885. Their folk songs provide
good examples of the intersection between local work/life and the
global connection which the workers clearly perceived after
arriving. While many are songs of lamentation, others reflect a
rapid adaptation to a new society in which other ethnic groups were
arranged in untidy hierarchical order - the origins of a unique
multicultural social order dominated by an oligarchy of white
planters. Odo also recognizes the influence of the immigrants'
rapidly modernizing homeland societies through his exploration of
the "cultural baggage" brought by immigrants and some of their
dangerous notions of cultural superiority. Japanese immigrants were
thus simultaneously the targets of intense racial and class vitriol
even as they took comfort in the expanding Japanese empire.
Engagingly written and drawing on a multitude of sources including
family histories, newspapers, oral histories, the expressed
perspectives of women in this immigrant society, and accounts from
the prolific Japanese language press into the narrative, Voices
from the Canefields will speak not only to scholars of
ethnomusicology, migration history, and ethnic/racial movements,
but also to a general audience of Japanese Americans seeking
connections to their cultural past and the experiences of their
most recently past generations.
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