The Migration and Politics of Monsters in Latin America proposes a
cinematic cartography of contemporary Latin American horror films
that take up the idea of the American continent as a space of
radical otherness, or monstrosity, and use it for political
purposes. The book explores how Latin American film directors
migrate foreign horror tropes to create cinematographic horror
hybrids that reclaim and transform monstrosity as a form of
historical rewriting. By emphasizing the specificities of the Latin
American experience, this book contributes to broad scholarship on
horror cinema, at the same time connecting the horror tradition
with contemporary discussions on violence, migration, fear of
immigrants, and the rewriting of colonial discourses.
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