The theoretical ferment which has affected literary studies over
the last decade has called into question traditional ways of
thinking about, classifying and interpreting texts. Shakespeare has
been not just the focus of a variety of divergent critical
movements within recent years, but also increasingly the locus of
emerging debates within, and with, theory itself. This collection
of essays, written by distinguished and powerful critics in the
fields of literary theory and Shakespeare studies, is intended both
for those interested in Shakespeare and for those interested more
generally in the emerging debates within contemporary criticism and
theory.
General
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