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The Presence of Camoes - Influences on the Literature of England, America, and Southern Africa (Hardcover, New)
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The Presence of Camoes - Influences on the Literature of England, America, and Southern Africa (Hardcover, New)
Series: Studies in Romance Languages
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Of the great epic poets in the Western tradition, Luis Vaz de
Camoes (c. 1524-1580) remains perhaps the least known outside his
native Portugal, and his influence on literature in English has not
been fully recognized. In this major work of comparative
scholarship, George Monteiro thus breaks new ground. Combining
textual analysis with cultural investigation, he focuses on
English-language writers whose vision and expression have been
sharpened by their varied responses to Camoes. Introduced to
English readers in 1655, Camoes's work from the beginning appealed
strongly to writers. His Os Lustadas so affected William Hayley's
theory of the epic that he commissioned William Blake to paint
Camoes's portrait and advised poet Joel Barlow to recast his New
World epic along Camonean lines. Robert Southey's disappointment
with Lord Strangford's translation of Camoes encouraged him to try
his own versions. And the young Elizabeth Barrett's Camonean poems
inspired Edgar Allan Poe to appropriate elements from the same
source. Herman Melville's reading of Camoes bore fruit in his
career-long borrowings from the Portuguese poet. Longfellow, T. W.
Higginson, and Emily Dickinson read and championed Camoes. And
Camoes as epicist and love poet is an eminence grise in several of
Elizabeth Bishop's strongest Brazilian poems. Southern African
writers have interpreted and reinterpreted Adamastor, Camoes's
Spirit of the Cape, as a symbol of a dangerous and mysterious
Africa and an emblem of European imperialism.
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