This study takes a fresh look at the picaresque genre as seen in
three important contemporary Latin American novels, Cortazar's
Libro de Manuel, Skarmeta's Match Ball, and the first picaresque
novel, Lazarillo de Tormes. Gordana Yovanovich considers the genre
in relation to the concept of play and shows how the traditional
picaresque genre has been replaced by a distinctly modern
version.
Play and the Picaresque contends that within Latin American
culture humour and play serve as forms of empowerment and means of
survival for those who are marginalized in society. Like the
picaros of sixteenth-century Spanish novels, the proletarian
characters in the Latin American fiction known as Magical Realism
embody a playful and spontaneous approach to life and literature.
The relationship of the magical to the real in Latin American
fiction is, the book argues, comparable to the 'let's pretend'
world and toys in play. The act of playing and living in these
novels is a re-creative experience - a concept which has not been
adequately explored in contemporary criticism.
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