The notion of landscape is a complex one, but it has been
central to the art and artistry of the cinema. After all, what is
the French New Wave without Paris? What are the films of Sidney
Lumet, Woody Allen, Martin Scorsese, and Spike Lee without New
York? "Cinema and Landscape" frames contemporary film landscapes
across the world, in an exploration of screen aesthetics and
national ideology, film form and cultural geography, cinematic
representation and the human environment. Written by well-known
cinema scholars, this volume both extends the existing field of
film studies and stakes claims to overlapping, contested
territories in the humanities and social sciences.
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