The essays collected in this issue offer complementary critical
perspectives on the mature lyric work of Derek Walcott, the
acclaimed Nobel laureate from the Caribbean island of St. Lucia.
The centerpiece of the ensemble is a previously unpublished essay
in which Walcott's reflections on poetics illuminate his project in
the masterpiece, "Omeros."
Other contributions by literary scholars in North America and the
Caribbean focus on fundamental dimensions of Walcott's craft and on
such thematic preoccupations as the intersection of pictorial and
verbal modes of representation, the deployment of nuanced
intertextual strategies (especially in relation to the Greco-Roman
canon), the invention of a viable artistic identity in a
postcolonial intercultural milieu, and the psychosocial modeling of
the process of literary apprenticeship.
"Contributors. "Edward Baugh, Peter Burian, Gregson Davis, Carol
Dougherty, Joseph Farrell, Judith Harris, Timothy Hofmeister, Derek
Walcott
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