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Cultural Authority in the Age of Whitman - A Transatlantic Perspective (Hardcover, New)
Loot Price: R2,652
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Cultural Authority in the Age of Whitman - A Transatlantic Perspective (Hardcover, New)
Series: Edinburgh Studies in Transatlantic Literatures
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Total price: R2,672
Discovery Miles: 26 720
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Cultural Authority in the Age of Whitman deals with narratives of
cultural legitimation in nineteenth-century US literature, in a
transatlantic context. Exploring how literary professionalism
shapes romantic and modern cultural space, Leypoldt traces the
nineteenth-century fusion of poetic radicalism with cultural
nationalism from its beginnings in transatlantic early romanticism,
to the poetry and poetics of Walt Whitman, and Whitman's modernist
reinvention as an icon of a native avant-garde. Whitman made
cultural nationalism compatible with the rhetorical needs of
professional authorship by trying to hold national authenticity and
literary authority in a single poetic vision. Yet the notion that
his 'language experiment' transformed essential democratic
experience into a genuine American aesthetics also owes much to
Whitman's retrospective canonization. What Leypoldt calls
Whitmanian authority is thus a transatlantic and transhistorical
discursive construct that can be approached from four angles: this
book begins with an overview of transatlantic contexts such as the
19th-century literary field (Bourdieu) and the romantic turn to
expressivism (Taylor); a detailed analysis of how Whitman's
positions develop from the intellectual habitus and cultural
criticism of Ralph Waldo Emerson follows, and in a third section
Whitmanian authority is located within three conceptual fields that
function as contact zones for European and American theories of
culture: romantic notions of national style as a kind of music;
place-centered concepts of national aesthetics; and traditional
ideas about the aesthetic effects of democratic institutions. The
final section, on Whitman's reinvention between the 1870s and the
1940s, discusses how the heterogeneous nineteenth-century
perceptions of Whitman's work were streamlined into a modernist
version of Whitman's nationalist program.
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