Books > Social sciences > Sociology, social studies > Social institutions > Customs & folklore > Costume, clothes & fashion
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Staging Personhood - Costuming in Early Qing Drama (Hardcover)
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Staging Personhood - Costuming in Early Qing Drama (Hardcover)
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After toppling the Ming dynasty, the Qing conquerors forced Han
Chinese males to adopt Manchu hairstyle and clothing. Yet China's
new rulers tolerated the use of traditional Chinese attire in
performances, making theater one of the only areas of life where
Han garments could still be seen and where Manchu rule could be
contested. Staging Personhood uncovers a hidden history of the
Ming-Qing transition by exploring what it meant for the clothing of
a deposed dynasty to survive onstage. Reading dramatic works
against Qing sartorial regulations, Guojun Wang offers an
interdisciplinary lens on the entanglements between Chinese drama
and nascent Manchu rule in seventeenth-century China. He reveals
not just how political and ethnic conflicts shaped theatrical
costuming but also the ways costuming enabled different modes of
identity negotiation during the dynastic transition. In case
studies of theatrical texts and performances, Wang considers
clothing and costumes as indices of changing ethnic and gender
identities. He contends that theatrical costuming provided a
productive way to reconnect bodies, clothes, and identities
disrupted by political turmoil. Through careful attention to a
variety of canonical and lesser-known plays, visual and performance
records, and historical documents, Staging Personhood provides a
pathbreaking perspective on the cultural dynamics of early Qing
China.
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