Grootenboer considers painting as a form of thinking in itself,
rather than a subject of philosophical and interpretive thought.
 While the philosophical dimension of painting has long been
discussed, a clear case for painting as a form of visual thinking
has yet to be made. Traditionally, vanitas still life paintings are
considered to raise ontological issues while landscapes direct the
mind toward introspection. Grootenboer moves beyond these
considerations to focus on what remains unspoken in painting, the
implicit and inexpressible that manifests in a quality she calls
pensiveness. Different from self-aware or actively desiring images,
pensive images are speculative, pointing beyond interpretation. An
alternative pictorial category, pensive images stir us away from
interpretation and toward a state of suspension where thinking
through and with the image can start. In fluid prose, Grootenboer
explores various modalities of visual thinking— as the location
where thought should be found, as a refuge enabling reflection, and
as an encounter that provokes thought. Through these
considerations, she demonstrates that artworks serve as models for
thought as much as they act as instruments through which thinking
can take place. Starting from the premise that painting is itself a
type of thinking, The Pensive Image argues that art is capable of
forming thoughts and shaping concepts in visual terms. Â
General
Imprint: |
University of Chicago Press
|
Country of origin: |
United States |
Release date: |
September 2023 |
Authors: |
Hanneke Grootenboer
|
Dimensions: |
229 x 152 x 25mm (L x W x T) |
Pages: |
240 |
ISBN-13: |
978-0-226-82944-9 |
Categories: |
Books
Promotions
|
LSN: |
0-226-82944-8 |
Barcode: |
9780226829449 |
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