" One of the most exciting developments in Romantic studies in
the past decade has been the rediscovery and repositioning of women
poets as vital and influential members of the Romantic literary
community. This is the first volume to focus on women poets of this
era and to consider how their historical reception challenges
current conceptions of Romanticism. With a broad, revisionist view,
the essays examine the poetry these women produced, what the poets
thought about themselves and their place in the contemporary
literary scene, and what the recovery of their works says about
current and past theoretical frameworks. The contributors focus
their attention on such poets as Felicia Hemans, Letitia Elizabeth
Landon, Charlotte Smith, Anna Barbauld, Mary Lamb, and Fanny Kemble
and argue for a significant rethinking of Romanticism as an
intellectual and cultural phenomenon. Grounding their consideration
of the poets in cultural, social, intellectual, and aesthetic
concerns, the authors contest the received wisdom about Romantic
poetry, its authors, its themes, and its audiences. Some of the
essays examine the ways in which many of the poets sought to
establish stable positions and identities for themselves, while
others address the changing nature over time of the reputations of
these women poets.
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