The trial of Adolf Eichmann began in 1961 under a deceptively
simple label, "criminal case 40/61." Hannah Arendt covered the
trial for the "New Yorker" magazine and recorded her observations
in "Eichmann in Jerusalem: The Banality of Evil." Harry Mulisch was
also assigned to cover the trial for a Dutch news weekly. Arendt
would later say in her book's preface that Mulisch was one of the
few people who shared her views on the character of Eichmann. At
the time, Mulisch was a young and little-known writer; in the years
since he has since emerged as an author of major international
importance, celebrated for such novels as "The Assault" and "The
Discovery of Heaven."Mulisch modestly called his book on case 40/61
a report, and it is certainly that, as he gives firsthand accounts
of the trial and its key players and scenes (the defendant's face
strangely asymmetric and riddled by tics, his speech absurdly
baroque). Eichmann's character comes out in his incessant
bureaucratizing and calculating, as well as in his grandiose
visions of himself as a Pontius Pilate-like innocent. As Mulisch
intersperses his dispatches from Jerusalem with meditative accounts
of a divided and ruined Berlin, an eerily rebuilt Warsaw, and a
visit to the gas chambers of Auschwitz, "Criminal Case 40/61, the
Trial of Adolf Eichmann" becomes as a disturbing and highly
personal essay on the Nazi extermination of European Jews and on
the human capacity to commit evil ever more efficiently in an age
of technological advancement.Here presented with a foreword by
Deborah Dwork and translated for the first time into English,
"Criminal Case 40/61" provides the reader with an unsettling
portrait not only of Eichmann's character but also of technological
precision and expertise. It is a landmark of Holocaust writing.
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