Croydon, England, was the setting of the famous three-way
friendship of D. H. Lawrence, Jessie Chambers, and Helen Corke, all
of whom made literary records of their association, and all of whom
appeared as characters in Lawrence novels. Perhaps the most
objective of these records were Helen Corke’s, which became
difficult to acquire. Their scarcity and their continuing
usefulness were the stimulus for publication of this volume, which
contains in four statements Helen Corke’s “major comment on
Lawrence the man and Lawrence the artist.” The “Portrait of D.
H. Lawrence, 1909–1910,” a section from Corke’s unpublished
autobiography, gives the reader glimpses into the earliest stages
of the Lawrence-Corke friendship, when Lawrence worked to bring
meaning back into Corke’s life after she had suffered a tragic
loss. The “Portrait” tells of conversations before a log fire,
German lessons, the reading of poetry, and sessions over
Lawrence’s manuscript “Nethermere,” which the publishers
renamed The White Peacock. In “Portrait,” Corke tells of
working with Lawrence on revising the proofs of this book, of
Lawrence’s encouragement of her own literary efforts, of their
wandering together in the Kentish hill country, and of her first
meeting with Jessie Chambers. “Lawrence’s ‘Princess’”
continues the narrative of the triple friendship, carrying it to
its sad ending, but with the focus on Jessie Chambers. Perceptively
and sympathetically written, it throws a clarifying light on the
psychology of Lawrence and presents with literary charm another
human being—Jessie, the Miriam of Sons and Lovers. In combined
narrative-critique method, Corke, in the essay “Concerning The
White Peacock,” relates Lawrence’s problems in writing this
novel and gives an analysis of its literary quality. Lawrence and
Apocalypse is cast in the form of a “deferred conversation” in
which Lawrence and Corke discuss his philosophical ideas as
presented in his Apocalypse. Although the book was written to
present Lawrence’s ideas, its significance reposes equally in
Corke’s reaction to his thought. As a succinct statement of
Lawrence’s teachings about the nature of humanity, it has unique
value.
General
Imprint: |
University Of Texas Press
|
Country of origin: |
United States |
Release date: |
1965 |
Firstpublished: |
1965 |
Authors: |
Helen Corke
|
Introduction by: |
Warren Roberts
|
Dimensions: |
216 x 140 x 11mm (L x W x T) |
Format: |
Paperback
|
Pages: |
172 |
ISBN-13: |
978-1-4773-0075-6 |
Categories: |
Books
Promotions
|
LSN: |
1-4773-0075-9 |
Barcode: |
9781477300756 |
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