Shakespeare is a towering presence in English and indeed global
culture. Most readers in the English-speaking world, and many
beyond, know his name and have at least a passing familiarity with
his work. Yet considered alongside his contemporaries he was not an
isolated phenomenon, but the product of a period of astonishing
creative fertility. This was an age when new media - popular drama,
and print - were seized upon avidly and inventively by a generation
of exceptionally talented writers. In her sparkling new book, Helen
Hackett explores the historical contexts of English Renaissance
drama by situating it in the wider history of ideas. She traces the
origins of Renaissance theatre in communal religious drama, civil
pageantry and court entertainment and vividly describes the playing
conditions of Elizabethan and Jacobean playhouses. Examining
Shakespeare, Marlowe and Jonson in turn, the author assesses the
distinctive contribution made by each playwright to the creation of
English drama. She then turns to revenge tragedy, with its gothic
poetry of sex and death; city comedy, domestic tragedy and
tragicomedy; and gender and drama, with female roles played by boy
actors. The book places Renaissance drama in the exciting and
vibrant cosmopolitanism of sixteenth-century London.
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