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The Yorkshire Tea Ceremony - W. A. Ismay and His Collection of British Studio Pottery (Paperback)
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The Yorkshire Tea Ceremony - W. A. Ismay and His Collection of British Studio Pottery (Paperback)
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This beautiful and absorbing book explores the remarkable
collection of 'Professional Yorkshireman' W.A. Ismay MBE
(1910-2001), the UK's most prolific collector of post-war British
studio pottery. "I really do not know any employment of money more
productive of an enhancement of one's daily life than that of
buying good pots for daily use - they are so agreeable to handle
that even washing-up becomes a pleasure rather than a chore!" W.A.
Ismay W.A. Ismay amassed over 3,600 pieces by more than 500 potters
between 1955 and 2001. Surrounded by his family of pots, he lived
in a tiny terraced house in Wakefield, Yorkshire, and left his
collection and its associated archive to the city of York upon his
death. This eclectic collection contains objects created by many of
the most significant potters working in the UK, such as Lucie Rie,
Hans Coper, Bernard Leach and Michael Cardew, as well as examples
of work by lesser-known makers. Once he discovered a potter, Ismay
supported them throughout their career, carefully assembling groups
of work that off er succinct visual overviews of development in
style and skill. What would become known as Ismay's Yorkshire Tea
Ceremony encapsulates all the aspects of collecting handmade
pottery which were important to him. Seeing himself as a temporary
custodian of his collection, rather than the owner, he was keen to
allow access and share it. Ismay enjoyed inviting people into his
home, encouraging them to pick up items and experience them
haptically. This social side of collecting generated close
friendships which are revealed through the anecdotes, gossip,
obsessions, opinions and touching gestures of support documented
within Ismay's archive. The archive is a monumental and unique
creation, which documents his extraordinary life and reveals
intriguing glimpses into the development of his character, as well
as the personal and societal changes that impacted his interests
and activities. New academic research into a little-studied
collection and archive explores Ismay's journey as a collector.
This book offers fresh perspectives on a marginalized area of
British modernism. Tracing the collection's journey from private to
public ownership illuminates issues surrounding the acquisition by
a museum of a large personal collection and archive, revealing the
transformative effect it has had on both curatorial practice and
the ambition of regional public institutions. The W.A. Ismay
Collection offers a well-documented example of the valuable
contribution collectors can make to the British studio ceramics
movement. The publication of this research marks 20 years since the
W.A. Ismay Collection moved from private to public ownership and to
celebrate that anniversary, an exhibition of the collection will
take place at York Art Gallery's Centre of Ceramic Art (CoCA).
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