An English critic and novelist (Fludd, 2000, etc.) summons the
ghosts of her childhood and youth. In some ways, Mantel's early
life was a struggle against ignorance and the brutalities that are
its children. A stepfather brooked no disagreements and referred to
her as "they"; classmates engaged in creative cruelty; teachers
(especially one beast named Malachy) were boring and malevolent; a
sexist university law tutor was a "talentless prat in a nylon
shirt"; incompetent medicos prescribed psychotropics when
confronted with complexity. Mantel begins and ends with the
decision to sell their second home, a place in Norfolk she and her
husband called "Owl Cottage." Her stepfather's ghost remained
there. Mantel believes in specters and relates one particularly
harrowing experience, when she was seven, of being occupied by a
formless yet substantive horror she saw in the garden. At the time
she was sure it was the devil. The experience became one of the
enduring presences in her life. Mantel writes about the many other
realities with grace, humor, irony, and, sometimes, bitterness. She
tells about how she had two fathers living in the house at the same
time (her biological father shared the dwelling with her mother's
lover), about her relationships with relatives and books. After
reading stories about King Arthur she decided she would be a
combination railway guard, like her grandfather, and knight errant.
She takes us through the Davy Crockett and Elvis crazes (neither
touched her much) and describes the remarkable day when she
received the results of her pivotal eleven-plus exam: "Passed. So I
can have a life, I thought." The most alarming passages deal with
her battles with endometriosis, a chronic gynecological disease
undiagnosed for a decade by purblind physicians and sexist shrinks.
Along the way, she has much of interest to say about the vagaries
of memory, the betrayals of the body, and the art of writing.
Mantel's voice, often gently whimsical, can also snarl with anger
and bite with satire. (Kirkus Reviews)
'Like Lorna Sage's Bad Blood ... A masterpiece.' Rachel Cusk Giving
Up the Ghost is the shocking and beautiful memoir, from the author
of Wolf Hall, Bring Up the Bodies and The Mirror & the Light
'Giving up the Ghost' is award-winning novelist Hilary Mantel's
uniquely unusual five-part autobiography. Opening in 1995 with 'A
Second Home', Mantel describes the death of her stepfather which
leaves her deeply troubled by the unresolved events of her
childhood. In 'Now Geoffrey Don't Torment Her' Mantel takes the
reader into the muffled consciousness of her early childhood,
culminating in the birth of a younger brother and the strange
candlelight ceremony of her mother's 'churching'. In 'Smile', an
account of teenage perplexity, Mantel describes a household where
the keeping of secrets has become a way of life. Finally, at the
memoir's conclusion, Mantel explains how through a series of
medical misunderstandings and neglect she came to be childless and
how the ghosts of the unborn like chances missed or pages unturned,
have come to haunt her life as a writer.
General
Imprint: |
Fourth Estate
|
Country of origin: |
United Kingdom |
Release date: |
June 2004 |
Authors: |
Hilary Mantel
|
Dimensions: |
197 x 130 x 19mm (L x W x T) |
Format: |
Paperback - B-format
|
Pages: |
252 |
Edition: |
New ed |
ISBN-13: |
978-0-00-714272-9 |
Categories: |
Books >
Fiction >
General & literary fiction >
Modern fiction
|
LSN: |
0-00-714272-2 |
Barcode: |
9780007142729 |
Is the information for this product incomplete, wrong or inappropriate?
Let us know about it.
Does this product have an incorrect or missing image?
Send us a new image.
Is this product missing categories?
Add more categories.
Review This Product
No reviews yet - be the first to create one!