Considering representations of torture in such television series as
24, Alias, and Homeland; the documentaries Taxi to the Dark Side
(2007), Ghosts of Abu Ghraib (2007), and Standard Operating
Procedure (2008); and "torture porn" feature films from the Saw and
Hostel series, Hilary Neroni unites aesthetic and theoretical
analysis to provide a unique portal into theorizing biopower and
its relation to the desiring subject. Her work ultimately showcases
film and television studies' singular ability to expose and
potentially disable the fantasies that sustain torture and the
regimes that deploy it.
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