Designed to serve music students at the college level, this
informal approach to music theory relates the technical aspects of
music with the expressive character of the art. The approach is
holistic in the sense that it focuses on the interrelationships
between the piece as heard by a socially conditioned listener and
the notated, performed score: it aims to bridge the gap between the
technical and expressive aspects of music. The composers addressed
are: Bach, Mozart, Beethoven, Chopin, Schumann, Brahms, Wagner,
Debussy, and Schoenberg. There are separate chapters on the
problems of meaning in music and on the interdependence of
aesthetic and ethical value-judgments. This novel and exciting
approach to music theory will be a welcome addition to the musical
analysis literature.
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