Over the last four decades video art has undergone numerous
transformations. If in its early years, during the mid sixties,
video was used by artists to record performances created in an
isolated studio, it also offered an important creative environment
which defined new spaces and an alternative language to the mass
codes used by television. In the `80s video took on the form of a
projected image that was capable of defining a totally new type of
space inside which spectators could move while surrounded by a
hypnotic electronic embrace. More recently with digital technology
artists can compete with the magic of cinema and develop a
singularly fertile exchange with it that has been fundamental in
developing the poetic language of video works today.
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