This study aims at examining the contemporary stage adaptations of
"Othello" by the four noteworthy contemporary playwrights Ann Marie
MacDonald, Djanet Sears, Paula Vogel and Toni Morrison, while
discussing their plays both within and outside the framework of
Adaptation Studies. Drawing on postcolonial and feminist theories
along with psychoanalytical theories and theories of adaptation,
this book explores the adaptive levels, contexts and strategies of
the four women playwrights in revising "Othello". The anxiety of
canonization that the contemporary women playwrights experience, is
also addressed as an issue parallel to their authorial relations
with Shakespeare. In the hands of contemporary women playwrights,
"Othello" thematically makes a call for new contemporary women's
perspectives and technically provides an everlasting space for
further feminist adaptations, already becoming a signifier of the
signification process itself.
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