Berlioz frequently explored other worlds in his writings, from the
imagined exotic enchantments of New Zealand to the rings of Saturn
where Beethoven's spirit was said to reside. The settings for his
musical works are more conservative, and his adventurousness has
instead been located in his mastery of the orchestra, as both
orchestrator and conductor. Inge van Rij's book takes a new
approach to Berlioz's treatment of the orchestra by exploring the
relationship between these two forms of control - the orchestra as
abstract sound, and the orchestra as collective labour and
instrumental technology. Van Rij reveals that the negotiation
between worlds characteristic of Berlioz's writings also plays out
in his music: orchestral technology may be concealed or
ostentatiously displayed; musical instruments might be
industrialised or exoticised; and the orchestral musicians
themselves move between being a society of distinctive individuals
and being a machine played by Berlioz himself.
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