Books > Arts & Architecture > Performing arts
|
Buy Now
Pop with Gods, Shakespeare, and AI - Popular Film, (Musical) Theatre, and TV Drama (Hardcover, 1st ed. 2020)
Loot Price: R3,020
Discovery Miles 30 200
|
|
Pop with Gods, Shakespeare, and AI - Popular Film, (Musical) Theatre, and TV Drama (Hardcover, 1st ed. 2020)
Expected to ship within 10 - 15 working days
|
Applying the theories of Popular Culture, Visual Culture,
Performance Studies, (Post)Feminism, and Film Studies, this
interdisciplinary and well-crafted book leads you to the
fascinating and intriguing world of popular film, (musical)
theatre, and TV drama. It explores the classical and contemporary
cases of the literature works, both Eastern and Western, adapted,
represented and transformed into the interesting artistic medium in
films, performances, TV dramas, musicals, and AI robot
theatre/films. 'Iris Tuan's book is wide ranging in scope and
diversity, examining theatre, music, film and television
productions from both Western and Asian countries. Tuan also
surveys an extensive range of critical and theoretical
perspectives, especially from performance studies and popular
cultural studies, to offer context for her descriptions of the many
different works. Some of her examples are well-known (Shakespeare's
Romeo & Juliet, Disney's The Lion King) while others little
known outside their place of origin (such as the Hakka Theatre of
Taiwan) -- all are approached by the author with enthusiasm.'
-Susan Bennett, Professor of English, University of Calgary, Canada
'Tuan takes us through multiple examples of contemporary popular
performance in theatre/film/TV ranging from "high" art sources
(Shakespeare or Journey to the West in films, Hirata's robotic
theatre experiments) to "low" (Taiwanese TV soap operas Hakka
Theatre: Roseki and Story of Yangxi Palace, Korean film Along with
the Gods: The Two Worlds). The reader moves at a speed-dating pace
through contemporary culture production and interpretive theories,
encountering significant works, controversies (i. e., yellow face),
and conundrums selected from China, Korea, Japan and the U. S. and
filtered through a Taiwanese female gaze.' -Kathy Foley, Professor
of Theatre Arts, University of California Santa Cruz, USA
General
Is the information for this product incomplete, wrong or inappropriate?
Let us know about it.
Does this product have an incorrect or missing image?
Send us a new image.
Is this product missing categories?
Add more categories.
Review This Product
No reviews yet - be the first to create one!
|
You might also like..
|