To what extent did Charles Dickens see himself as a medium of
forces beyond his conscious control? What did he think such
subconscious mechanisms might be, and how did his thoughts on the
subject play out in his writings? "Sensation and Sublimation in
Charles Dickens" traces these questions through three Dickens
novels: "Oliver Twist," "Dombey and Son," and "Bleak House." It is
the first book-length study to approach Dickensian psychology from
the vantage point of what the speculations of Dickens's--rather
than of our own--had to say about mental phenomena, both normal and
abnormal.
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