" Milton's poems invariably depict the decisive instant in a
story, a moment of crisis that takes place just before the action
undergoes a dramatic change of course. Such instants look backward
to a past that is about to be superseded or repudiated and forward,
at the same time, to a future that will immediately begin to
unfold. Martin Evans identifies this moment of transition as ""the
Miltonic Moment."" This provocative new study focuses primarily on
three of Milton's best known early poems: ""On the Morning of
Christ's Nativity,"" ""A Mask Presented at Ludlow Castle (Comus),""
and ""Lycidas."" These texts share a distinctive perceptual and
cognitive structure, which Evans defines as characteristically
Miltonic, embracing a single moment that is both ending and
beginning. The poems communicate a profound sense of intermediacy
because they seem to take place between the boundaries that
separate events. The works illuniated here, which also include
Samson Agonistes and Paradise Regained, are all about transition
from one form to another: from paganism to Christianity, from
youthful inexperience to moral maturity, and from pastoral
retirement to heroic engagement. This transformation is often
ideological as well as historical or biographical. Evans shows that
the moment of transition is characteristic of all Milton's poetry,
and he proposes a new way of reading one of the seminal writers of
the seventeenth century. Evans concludes that the narrative
reversals in Milton's poetry suggest his constant attempts to bring
about an intellectual revolution that, at a time of religious and
political change in England, would transform an age.
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