First published in 1998, this volume explores the expanding wave of
a new kind of museums of contemporary art in the nineteenth and
early twentieth centuries. Lorente examines their 'coming of age'
and the weight of their museological legacy, arguing that the
establishment of great national museums of art at London and Paris
radiated out, carrying their influence with it. This book emerged
as part of a series on towns and cities and has a focus on London
and Paris as centres of artistic innovation.
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