Peter Pan, Jacqueline Rose contends, forces us to question what
it is we are doing in the endless production and dissemination of
children's fiction. In a preface, written for this edition, Rose
considers some of Peter Pan's new guises and their implications.
From Spielberg's Hook, to the lesbian production of the play at the
London Drill Hall in 1991, to debates in the English House of
Lords, to a newly claimed status as the icon of transvestite
culture, Peter Pan continues to demonstrate its bizarre
renewability as a cultural fetish of our times.
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