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Allusion as Narrative Premise in Brahms's Instrumental Music (Paperback)
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Allusion as Narrative Premise in Brahms's Instrumental Music (Paperback)
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Who inspired Johannes Brahms in his art of writing music? In this
book, Jacquelyn E. C. Sholes provides a fresh look at the ways in
which Brahms employed musical references to works of earlier
composers in his own instrumental music. By analyzing newly
identified allusions alongside previously known musical references
in works such as the B-Major Piano Trio, the D-Major Serenade, the
First Piano Concerto, and the Fourth Symphony, among others, Sholes
demonstrates how a historical reference in one movement of a work
seems to resonate meaningfully, musically, and dramatically with
material in other movements in ways not previously recognized. She
highlights Brahms's ability to weave such references into broad,
movement-spanning narratives, arguing that these narratives served
as expressive outlets for his complicated, sometimes conflicted,
attitudes toward the material to which he alludes. Ultimately,
Brahms's music reveals both the inspiration and the burden that
established masters such as Domenico Scarlatti, J. S. Bach, Haydn,
Mozart, Schubert, Schumann, Wagner, and especially Beethoven
represented for him as he struggled to emerge with his own artistic
voice and to define and secure his unique position in music
history.
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