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Female Voices from an Ewe Dance-drumming Community in Ghana - Our Music Has Become a Divine Spirit (Hardcover, New Ed)
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Female Voices from an Ewe Dance-drumming Community in Ghana - Our Music Has Become a Divine Spirit (Hardcover, New Ed)
Series: SOAS Studies in Music
Expected to ship within 12 - 17 working days
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Ewe dance-drumming has been extensively studied throughout the
history of ethnomusicology, but up to now there has not been a
single study that addresses Ewe female musicians. James Burns
redresses this deficiency through a detailed ethnography of a group
of female musicians from the Dzigbordi community dance-drumming
club from the rural town of Dzodze, located in South-Eastern Ghana.
Dzigbordi was specifically chosen because of the author's long
association with the group members, and because it is part of a
genre known as adekede, or female songs of redress, where women
musicians critique gender relations in society. Burns uses audio
and video interviews, recordings of rehearsals and performances and
detailed collaborative analyses of song texts, dance routines and
performance practice to address important methodological shifts in
ethnomusicology that outline a more humanistic perspective of music
cultures. This perspective encompasses the inter-linkages between
history, social processes and individual creative artists. The
voices of Dzigbordi women provide us not only with a more complete
picture of Ewe music-making, they further allow us to better
understand the relationship between culture, social life and
individual creativity. The book will therefore appeal to those
interested in African Studies, Gender Studies and Oral Literature,
as well as ethnomusicology. Includes documentary on the
downloadable resources.
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