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Art Quantum - The Eiteljorg Fellowship for Native American Fine Art, 2009 (Paperback)
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Art Quantum - The Eiteljorg Fellowship for Native American Fine Art, 2009 (Paperback)
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While blood quantum laws have been used to determine an
individual's inclusion in a Native group, Eiteljorg fellowship
artists have instead come to view themselves as belonging to the
"Art Tribe," through the universal process of art creation and
collaboration. Art Quantum presents a selection of the
extraordinary work created by the five artists selected for the
2009 Eiteljorg Fellowship. In his essay on the long career of
Edward Poitras (Gordon First Nation), Alfred Young Man (Cree)
places Poitras's installations in the context of Metis and Indian
identity as well as the White art establishment in Canada. Gail
Tremblay (Onondaga / Micmac) illuminates the work of Jim Denomie
(Ojibwa), reading his narrative paintings and intimately scaled
portraits through their complex and humorous references to history,
art history, and current events. Jimmie Durham (Cherokee) uses the
analogy of music to explore the language of abstraction in
sculptural and two-dimensional works by Jeffrey Gibson (Mississippi
Band of Choctaw / Cherokee), while the subtle and often
monochromatic sculptural installations of Faye HeavyShield
(Kainai-Blood) are sensitively interpreted by Lee-Ann Martin
(Mohawk). The volume closes with Polly Nordstrand's (Hopi /
Norwegian) reflection on the themes of longing/not belonging and
placement/displacement that Wendy Red Star (Crow) documents in her
photographs and appliqued dance shawls. It is the goal of the
Eiteljorg Fellowship to be a starting point and a platform for
exploration of Native identity and artistic expression beyond the
concepts of blood quantum laws. Essays by James Nottage, Jennifer
Complo McNutt, Ashley Holland (Cherokee), and Paul Chaat Smith
(Comanche) help to situate the larger issue of Native identity in
the contemporary art world.
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