Your cart

Your cart is empty

Browse All departments
  • R0 - R50 (1)
  • R50 - R100 (1)
  • R100 - R250 (49)
  • R250 - R500 (134)
  • R500+ (596)
  • -
Author / Contributor

Books > Arts & Architecture > History of art / art & design styles > Art styles not limited by date > Art of indigenous peoples

Ledger Narratives - The Plains Indian Drawings in the Mark Lansburgh Collection at Dartmouth College (Paperback, First Tion):... Ledger Narratives - The Plains Indian Drawings in the Mark Lansburgh Collection at Dartmouth College (Paperback, First Tion)
Colin G. Calloway; Contributions by Michael Paul Jordan, Vera B Palmer, Joyce M. Szabo, Melanie Benson Taylor, …
R1,098 Discovery Miles 10 980 Ships in 7 - 11 working days

The largest known collection of ledger art ever acquired by one individual is Mark Lansburgh's diverse assemblage of more than 140 drawings, now held by the Hood Museum of Art at Dartmouth College and catalogued in this important book. The Cheyennes, Crows, Kiowas, Lakotas, and other Plains peoples created the genre known as ledger art in the mid-nineteenth century. Before that time, these Indians had chronicled the heroic achievements of their warriors and chiefs on rock, buffalo robes, and tipi covers. As they came into increasing contact with American traders, the artists recorded their experiences in pencil and crayon drawings on paper bound in ledger or account books. The drawings became known as ledger art.
This volume presents in full color the Lansburgh collection in its entirety. The drawings are narratives depicting Plains lifeways through Plains eyes. They include landscapes and scenes of battle, hunting, courting, ceremony, incarceration, and travel by foot, horse, train, and boat. Ledger art also served to prompt memories of horse raids and heroic exploits in battle.
In addition to showcasing the Lansburgh collection, "Ledger Narratives" augments the growing literature on this art form by providing seven new essays that suggest some of the many stories the drawings contain and that look at them from innovative perspectives. The authors--scholars of art history, anthropology, history, and Native American studies--touch on such themes as gender, social status, sovereignty, tribal and intertribal politics, economic exchange, and confinement and space in a changing world.
The Lansburgh collection includes some of the most arresting examples of Plains Indian art, and the essays in this volume help us see and hear the multiple narratives these drawings relate.

Picturing Indian Territory - Portraits of the Land That Became Oklahoma, 1819-1907 (Hardcover): B. Byron Price Picturing Indian Territory - Portraits of the Land That Became Oklahoma, 1819-1907 (Hardcover)
B. Byron Price; Foreword by John R. Lovett; Contributions by James Peck, Mark Andrew White
R872 R693 Discovery Miles 6 930 Save R179 (21%) Ships in 7 - 11 working days

Throughout the nineteenth century, the land known as ""Indian Territory"" was populated by diverse cultures, troubled by shifting political boundaries, and transformed by historical events that were colorful, dramatic, and often tragic. Beyond its borders, most Americans visualized the area through the pictures produced by non-Native travelers, artists, and reporters - all with differing degrees of accuracy, vision, and skill. The images in Picturing Indian Territory, and the eponymous exhibit it accompanies, conjure a wildly varied vision of Indian Territory's past. Spanning nearly nine decades, these artworks range from the scientific illustrations found in English naturalist Thomas Nuttall's journal to the paintings of Frederic Remington, Henry Farny, and Charles Schreyvogel. The volume's three essays situate these works within the historical narratives of westward expansion, the creation of an ""Indian Territory"" separate from the rest of the United States, and Oklahoma's eventual statehood in 1907. James Peck focuses on artists who produced images of Native Americans living in this vast region during the pre-Civil War era. In his essay, B. Byron Price picks up the story at the advent of the Civil War and examines newspaper and magazine reports as well as the accounts of government functionaries and artist-travelers drawn to the region by the rapidly changing fortunes of the area's traditional Indian cultures in the wake of non-Indian settlement. Mark Andrew White then looks at the art and illustration resulting from the unrelenting efforts of outsiders who settled Indian and Oklahoma Territories in the decades before statehood. Some of the artworks featured in this volume have never before been displayed; some were produced by more than one artist; others are anonymous. Many were completed by illustrators on-site, as the events they depicted unfolded, while other artists relied on written accounts and vivid imaginations. Whatever their origin, these depictions of the people, places, and events of ""Indian Country"" defined the region for contemporary American and European audiences. Today they provide a rich visual record of a key era of western and Oklahoma history - and of the ways that art has defined this important cultural crossroads.

Branding the American West - Paintings and Films, 1900-1950 (Hardcover): Marian Wardle, Sarah E. Boehme Branding the American West - Paintings and Films, 1900-1950 (Hardcover)
Marian Wardle, Sarah E. Boehme
R1,224 Discovery Miles 12 240 Ships in 7 - 11 working days

Artists and filmmakers in the early twentieth century reshaped our vision of the American West. In particular, the Taos Society of Artists and the California-based artist Maynard Dixon departed from the legendary depiction of the ""Wild West"" and fostered new images, or brands, for western art. This volume, illustrated with more than 150 images, examines select paintings and films to demonstrate how these artists both enhanced and contradicted earlier representations of the West. Prior to this period, American art tended to portray the West as a wild frontier with untamed lands and peoples. Renowned artists such as Henry Farny and Frederic Remington set their work in the past, invoking an environment immersed in conflict and violence. This trademark perspective began to change, however, when artists enamored with the Southwest stamped a new imprint on their paintings. The contributors to this volume illuminate the complex ways in which early-twentieth-century artists, as well as filmmakers, evoked a southwestern environment not just suspended in time but also permanent rather than transient. Yet, as the authors also reveal, these artists were not entirely immune to the siren call of the vanishing West, and their portrayal of peaceful yet ""exotic"" Native Americans was an expansion rather than a dismissal of earlier tropes. Both brands cast a romantic spell on the West, and both have been seared into public consciousness. Branding the American West is published in association with the Brigham Young University Museum of Art, Provo, Utah, and the Stark Museum of Art, Orange, Texas.

Surviving Desires - Making and Selling Native Jewellery in the American Southwest (Paperback): Henrietta Lidchi Surviving Desires - Making and Selling Native Jewellery in the American Southwest (Paperback)
Henrietta Lidchi
R885 R706 Discovery Miles 7 060 Save R179 (20%) Ships in 7 - 11 working days

In its classic union of gleaming silver and blue turquoise, Native American jewellery of the Southwest is an iconic art form. Internationally recognized and locally significant, Native American jewellery has a compelling history--it represents the persistence of tradition while encapsulating the vitality of Native American communities and the continuously transforming nature of the jewellery makers' art. Author Henrietta Lidchi focuses on jewellery in the cultural economy of the Southwest, exploring jewellery making as a decorative art form in constant transition. She describes the jewellery as subject to a number of desires, controlled at different times by government agencies, individual entrepreneurs, traders, curators, and Native American communities. Lidchi explores the jewellery as craft, material culture, commodity, and adornment. Considering the impact of tourism, she discusses fakes in the market and the artists' desires to codify traditional styles, explaining how these factors can affect stylistic development and value. Surviving Desires suggests the complexity and reinvention innate to Native American jewellery as a commercial craft. Drawing on the author's archival research and on interviews she conducted with Native American jewellers and with traders, dealers, and curators, this volume examines British collecting, exchanges between British and American institutions, and the development of the British Museum's contemporary collection. Lavishly illustrated with 300 color photographs of jewellery in the British Museum, the National Museums Scotland, and major collections in the United States, Surviving Desires presents many previously unpublished pieces and showcases works by Native American jewellers who include the best-known names in the field today. The volume is a visually stunning exploration of the symbolic, economic, and communal value of jewellery in the American Southwest.

Making History - The IAIA Museum of Contemporary Native Arts (Paperback): Institute of American Indian Arts Making History - The IAIA Museum of Contemporary Native Arts (Paperback)
Institute of American Indian Arts; Edited by Nancy Marie Mithlo; Foreword by Robert Martin
R1,140 Discovery Miles 11 400 Ships in 7 - 11 working days

Making History: The IAIA Museum of Contemporary Native Arts is a unique contribution to the fields of visual culture, arts education, and American Indian studies. Written by scholars actively producing Native art resources, this book guides readers--students, educators, collectors, and the public--in how to learn about Indigenous cultures as visualized in our creative endeavors. By highlighting the rich resources and history of the Institute of American Indian Arts, the only tribal college in the nation devoted to the arts whose collections reflect the full tribal diversity of Turtle Island, these essays present a best-practices approach to understanding Indigenous art from a Native-centric point of view. Topics include biography, pedagogy, philosophy, poetry, coding, arts critique, curation, and writing about Indigenous art. Featuring two original poems, ten essays authored by senior scholars in the field of Indigenous art, nearly two hundred works of art, and twenty-four archival photographs from the IAIA's nearly sixty-year history, Making History offers an opportunity to engage the contemporary Native Arts movement.

Framing First Contact - From Catlin to Russell (Hardcover): Kate Elliott Framing First Contact - From Catlin to Russell (Hardcover)
Kate Elliott
R1,117 Discovery Miles 11 170 Ships in 7 - 11 working days

Representations of first contact - the first meetings of European explorers and Native Americans - have always had a central place in our nation's historical and visual record. They have also had a key role in shaping and interpreting that record. In Framing First Contact author Kate Elliott looks at paintings by artists from George Catlin to Charles M. Russell and explores what first contact images tell us about the process of constructing national myths - and how those myths acquired different meanings at different points in our nation's history. First contact images, with their focus on beginnings rather than conclusive action or determined outcomes, might depict historical events in a variety of ways. Elliott argues that nineteenth century artists, responding to the ambiguity and indeterminacy of the subject, used the visualized space between cultures meeting for the first time to address critical contemporary questions and anxieties. Taking works from the 1840s through the 1910s as case studies - paintings by Robert W. Weir, Thomas Moran, and Albert Bierstadt, along with Catlin and Russell - Elliott shows how many first contact representations, especially those commissioned and conceived as official history, speak blatantly of conquest, racial superiority, and imperialism. And yet, others communicate more nuanced messages that might surprise contemporary viewers. Elliott suggests it was the very openness of the subject of first contact that allowed artists, consciously or not, to speak of contemporary issues beyond imperialism and conquest. Uncovering those issues, Framing First Contact forces us to think about why we tell the stories we do, and why those stories matter.

A Strange Mixture - The Art and Politics of Painting Pueblo Indians (Hardcover): Sascha T Scott A Strange Mixture - The Art and Politics of Painting Pueblo Indians (Hardcover)
Sascha T Scott
R1,380 Discovery Miles 13 800 Ships in 7 - 11 working days

Attracted to the rich ceremonial life and unique architecture of the New Mexico pueblos, many early-twentieth-century artists depicted Pueblo peoples, places, and culture in paintings. These artists' encounters with Pueblo Indians fostered their awareness of Native political struggles and led them to join with Pueblo communities to champion Indian rights. In this book, art historian Sascha T. Scott examines the ways in which non-Pueblo and Pueblo artists advocated for American Indian cultures by confronting some of the cultural, legal, and political issues of the day. Scott closely examines the work of five diverse artists, exploring how their art was shaped by and helped to shape Indian politics. She places the art within the context of the interwar period, 1915-30, a time when federal Indian policy shifted away from forced assimilation and toward preservation of Native cultures. Through careful analysis of paintings by Ernest L. Blumenschein, John Sloan, Marsden Hartley, and Awa Tsireh (Alfonso Roybal), Scott shows how their depictions of thriving Pueblo life and rituals promoted cultural preservation and challenged the pervasive romanticizing theme of the ""vanishing Indian."" Georgia O'Keeffe's images of Pueblo dances, which connect abstraction with lived experience, testify to the legacy of these political and aesthetic transformations. Scott makes use of anthropology, history, and indigenous studies in her art historical narrative. She is one of the first scholars to address varied responses to issues of cultural preservation by aesthetically and culturally diverse artists, including Pueblo painters. Beautifully designed, this book features nearly sixty artworks reproduced in full color.

A Northern Cheyenne Album - Photographs by Thomas B. Marquis (Paperback): John Woodenlegs A Northern Cheyenne Album - Photographs by Thomas B. Marquis (Paperback)
John Woodenlegs; Edited by Margot Liberty
R775 R627 Discovery Miles 6 270 Save R148 (19%) Ships in 7 - 11 working days

Rare photographs document the lives of Cheyenne people during the early reservation yearsIn 1878 the Northern Cheyennes left what is now Oklahoma, where they had been incarcerated, and began an epic journey back to their homeland. They suffered great losses, but a small group of survivors reached its destination in southeastern Montana in 1879 and eventually won the right to a reservation there. A Northern Cheyenne Album presents a rare series of never-before-published photographs that document the lives of tribal people on the reservation during the early twentieth century - a period of rapid change. Reservation physician and expert photographer Thomas B. Marquis captured Northern Cheyenne life in numerous images taken from 1926 to 1935. After 1960, former tribal president John Woodenlegs and others interviewed tribal elders and, drawing on tape recordings, composed the photos' lively captions. Margot Liberty, editor of this volume, has added her own descriptions, filling in details of Northern Cheyenne culture and history from a scholar's viewpoint. A valuable record of an all-but-forgotten generation, this volume is also an inspiring tribute to the Northern Cheyenne elders whose resilience and adaptability helped ensure the future of their people.

Paintings from Mughal India (Paperback, New): Andrew Topsfield Paintings from Mughal India (Paperback, New)
Andrew Topsfield
R300 Discovery Miles 3 000 Ships in 10 - 15 working days

A unique style of court painting, combining Persian, Indian and European elements, developed in India under the Mughal emperors in the sixteenth and seventeenth centuries. Originally an art of book illustration, it soon gave rise to highly naturalistic portraiture and scenes of court life, among other subjects. These elegant and expressive works reflect the splendour of the Mughal empire, as well as the enthusiasm of the emperors from Akbar (1556-1605) onwards for stories of adventure and romance, for the recording of great imperial assemblies, or the meticulous depiction of the flora and fauna of India. Among the highlights of the book are the illustrations to Akbar's magnificent Baharistan manuscript of 1595, and the court scenes from the reigns of Shah Jahan (1627-58) or the pleasure-loving Muhammad Shah (1719-48). This book reproduces many of the finest Mughal and Deccani paintings preserved in the Bodleian Library's rich and historic collection, largely formed between 1640 and 1900. These pictures range in date from around 1560 to 1800, when British influence was becoming dominant in India. Each image is presented as a full page colour plate with facing text describing its subject and significance, while the introduction situates the works within the general context of the period and its art. A number of textual revisions have been made since the book first appeared in 2008.

North American Indian Art - Masterpieces and Museum Collections from the Netherlands (Hardcover): Pieter Hovens, Bruce Bernstein North American Indian Art - Masterpieces and Museum Collections from the Netherlands (Hardcover)
Pieter Hovens, Bruce Bernstein
R1,231 Discovery Miles 12 310 Ships in 7 - 11 working days
Painted Journeys - The Art of John Mix Stanley (Paperback): Peter H. Hassrick, Mindy N. Besaw Painted Journeys - The Art of John Mix Stanley (Paperback)
Peter H. Hassrick, Mindy N. Besaw; Foreword by Bruce B Eldredge
R1,104 Discovery Miles 11 040 Ships in 7 - 11 working days

Artist-explorer John Mix Stanley (1814-1872), one of the most celebrated chroniclers of the American West in his time, was in a sense a victim of his own success. So highly regarded was his work that more than two hundred of his paintings were held at the Smithsonian Institution - where in 1865 a fire destroyed all but seven of them. This volume, featuring a comprehensive collection of Stanley's extant art, reproduced in full color, offers an opportunity - and ample reason - to rediscover the remarkable accomplishments of this outsize figure of nineteenth-century American culture. Originally from New York State, Stanley journeyed west in 1842 to paint Indian life. During the U.S.-Mexican War, he joined a frontier military expedition and traveled from Santa Fe to California, producing sketches and paintings of the campaign along the way - work that helped secure his fame in the following decades. He was also appointed chief artist for Isaac Stevens's survey of the 48th parallel for a proposed transcontinental railroad. The essays in this volume, by noted scholars of American art, document and reflect on Stanley's life and work from every angle. The authors consider the artist's experience on government expeditions; his solo tours among the Oregon settlers and western and Plains Indians; and his career in Washington and search for government patronage, as well as his individual works. With contributions by Emily C. Burns, Scott Manning Stevens, Lisa Strong, Melissa Speidel, Jacquelyn Sparks, and Emily C. Wilson, the essays in this volume convey the full scope of John Mix Stanley's artistic accomplishment and document the unfolding of that uniquely American vision throughout the artist's colorful life. Together they restore Stanley to his rightful place in the panorama of nineteenth-century American life and art.

From the Hands of a Weaver - Olympic Peninsula Basketry through Time (Paperback): Jacilee Wray From the Hands of a Weaver - Olympic Peninsula Basketry through Time (Paperback)
Jacilee Wray; Foreword by Jonathan B. Jarvis
R746 Discovery Miles 7 460 Ships in 7 - 11 working days

For millennia, Native artists on Olympic Peninsula, in what is now northwestern Washington, have created coiled and woven baskets using tree roots, bark, plant stems--and meticulous skill. "From the Hands of a Weaver" presents the traditional art of basket making among the peninsula's Native peoples--particularly women--and describes the ancient, historic, and modern practices of the craft. Abundantly illustrated, this book also showcases the basketry collection of Olympic National Park.
Baskets designed primarily for carrying and storing food have been central to the daily life of the Klallam, Twana, Quinault, Quileute, Hoh, and Makah cultures of Olympic Peninsula for thousands of years. The authors of the essays collected here, who include Native people as well as academics, explore the commonalities among these cultures and discuss their distinct weaving styles and techniques. Because basketry was interwoven with indigenous knowledge and culture throughout history, alterations in the art over time reflect important social changes.
Using primary-source material as well as interviews, volume editor Jacilee Wray shows how Olympic Peninsula craftspeople participated in the development of the commercial basket industry, transforming useful but beautiful objects into creations appreciated as art. Other contributors address poaching of cedar and native grasses, and conservation efforts--contemporary challenges faced by basket makers. Appendices identify weavers and describe weaves attributed to each culture, making this an important reference for both scholars and collectors.
Featuring more than 120 photographs and line drawings of historical and twentieth-century weavers and their baskets, this engaging book highlights the culture of distinct Native Northwest peoples while giving voice to individual artists, masters of a living art form.

Iroquois Art, Power, and History (Hardcover): Neal B Keating Iroquois Art, Power, and History (Hardcover)
Neal B Keating
R1,580 Discovery Miles 15 800 Ships in 7 - 11 working days

In this richly illustrated book, Neal B. Keating explores Iroquois visual expression through more than five thousand years, from its emergence in ancient North America into the early twenty-first century. Drawing on extensive archival research and fieldwork with Iroquois artists and communities, Keating foregrounds the voices and visions of Iroquois peoples, revealing how they have continuously used visual expression to adapt creatively to shifting political and economic environments.

Iroquois, or Haudenosaunee, peoples have long been the subjects of Western study. From the seventeenth to the nineteenth century, European and Euro- American writers classified Iroquois works not as art but as culturally lower forms of expression. During the twentieth century, Western critics commonly rejected contemporary Native art both as art and as an "inauthentic" expression of Indianness. Keating exposes the false assumptions underlying these perceptions. Approaching his subject from the perspective of an anthropologist, he focuses on the social relations and processes that are indexed by Iroquois visual culture through time, and he shows how Iroquois images are deployed in colonized contexts.

As he traces the history of Iroquois art practice, Keating seeks a middle road between ethnohistorical approaches and the activist perspectives of contemporaryartists. He is one of the first scholars in Iroquois studies to emphasize painting, a popular art form among present-day Iroquois. He conceptualizes painting broadly, to include writing, incising, drawing, tattoo, body painting, photography, videography, and digital media. Featuring more than 100 color and black-and-white reproductions, this volume embraces a wide array of artworks in diverse media, prompting new appreciation--and deeper understanding--of Iroquois art and its historical and contemporary significance.

Art from Fort Marion - The Silberman Collection (Paperback): Joyce M. Szabo Art from Fort Marion - The Silberman Collection (Paperback)
Joyce M. Szabo; Foreword by Steven L Grafe
R844 Discovery Miles 8 440 Ships in 7 - 11 working days

Striking color images depict traditional lifeways and the pain of imprisonmentDuring the 1870s, Cheyenne and Kiowa prisoners of war at Fort Marion, Florida, graphically recorded their responses to incarceration in drawings that conveyed both the present reality of imprisonment and nostalgic memories of home. Now a leading authority on American Indian drawings and paintings examines an important collection of these drawings to reveal how art blossomed at Fort Marion. The Silberman Collection is an unusually complete group of images that illustrate the artists' fascination with the world outside the southern plains, their living conditions and survival strategies as prisoners, and their reminiscences of pre-reservation life. Joyce M. Szabo explains the significance of this preeminent collection, which focuses on seven of the prisoner-artists - most notably Zotom and Making Medicine. Through a selection of 120 striking color images, Szabo shows how each artist creatively recorded his experiences. Szabo compares the artists' various styles, examines repeated themes to show how each artist approached the same subjects, and considers the distinctiveness of these drawings as representing the emergent culture of Fort Marion. She also surveys how Fort Marion art has been collected since the late 1870s and describes Arthur and Shifra Silberman's approaches to collecting. Although other books have considered the Fort Marion artists, this is the first to examine their works in such analytical and comparative detail. Art from Fort Marion: The Silberman Collection captures a unique visual form of Native expression.

Aztec Art (Paperback, New edition): Esther Pasztory Aztec Art (Paperback, New edition)
Esther Pasztory
R933 R742 Discovery Miles 7 420 Save R191 (20%) Ships in 7 - 11 working days

This is the first comprehensive book on Aztec art: eleven chapters illustrated with seventy-five superb color plates and hundreds of photographs, supplemented by maps and diagrams. Temple architecture, majestic stone sculpture carved without metal tools, featherwork and turquoise mosaic, painted books, and sculptures in terra cotta and rare stones - all are here.

Pasztory has placed these major works of Pre-Columbian art in a historical context, relating them to the reigns of individual rulers, events in Aztec history, and the needs of different social groups from the elite to the farmer. She focuses on the little-known aspects of the aesthetics, poetry and humanity of the Aztecs.

Silver Horn - Master Illustrator of the Kiowas (Hardcover): Candace S. Greene Silver Horn - Master Illustrator of the Kiowas (Hardcover)
Candace S. Greene
R842 Discovery Miles 8 420 Ships in 7 - 11 working days

Plains Indians were artists as well as warriors, and Silver Horn (1860-1940), a Kiowa artist from the early reservation period, may well have been the most prolific Plains Indian artist of all time.

Known also as Haungooah, his Kiowa name, Silver Horn was a man of remarkable skill and talent. Working in graphite, colored pencil, crayon, pen and ink, and watercolor on hide, muslin, and paper, he produced more than one thousand illustrations between 1870 and 1920. Silver Horn created an unparalleled visual record of Kiowa culture, from traditional images of warfare and coup counting to sensitive depictions of the sun dance, early Peyote religion, and domestic daily life. At the turn of the century, he helped translate nearly the entire corpus of Kiowa shield designs into miniaturized forms on buckskin models for Smithsonian ethnologist James Mooney.

Born in 1860 when huge bison herds still roamed the southern plains, Silver Horn grew up in southwestern Oklahoma. Son of a chief and member of an artistically gifted family, he witnessed traumatic changes as his people went from a free-roaming, buffalo-hunting culture to reservation life and, ultimately, to forced assimilation into white society. Although perceived as a troublemaker in midlife because of his staunch resistance to the forces of civilization, Silver Horn became to many a romantic example of the "real old-time Indian."

In this presentation of Silver Horn's work, showcasing 43 color and 116 black-and-white illustrations, Candace S. Greene provides a thorough biographical portrait of the artist and, through his work, assesses the concepts and roles of artists in Kiowa culture.

Argentine Indian Art (Paperback): Alejandro Eduardo Fiadone Argentine Indian Art (Paperback)
Alejandro Eduardo Fiadone
R287 R235 Discovery Miles 2 350 Save R52 (18%) Ships in 7 - 11 working days

This stunning collection of 284 rare designs is a bonanza for artists and craftspeople seeking distinctive patterns with a South American Indian flavor. The carefully adapted, authentic motifs include animal and totemic designs, geometric and rectilinear figures, abstracts, grids, and many other styles in a wide range of shapes and sizes.

Kulango Figurines - Wild and Mysterious Spirits (Hardcover): Alain-Michel Boyer Kulango Figurines - Wild and Mysterious Spirits (Hardcover)
Alain-Michel Boyer
R1,027 R803 Discovery Miles 8 030 Save R224 (22%) Ships in 10 - 15 working days

Kulango Figurines is designed to introduce various miniature works created by the Kulango in northeastern Cote d'Ivoire, who were formerly vassals of the two kingdoms that inhabited the country (Bouna and Gyaman). Their extraordinarily varied art, which can be both intriguing and disconcerting, is relatively unknown. Their metal sculptures in particular display a strikingly free expressiveness, breaking as they do with the iconographic codes that govern their works in wood. Doing away with immobile remoteness, bodies seem to reinvent movement, sometimes adopting almost choreographic gestures, an airy grace, sinuous lines. Or, in trembling tension, some display unexpected twists and provocative curves, while others stretch out impossibly or offer a chance for virtuoso foreshortening and stylised bodies. Still others are even stranger, like Siamese twins, inseparable triplets, headless figures or figures with one head on two torsos, with one leg or four, webbed feet, outsize arms and hooped bodies. Who are these enigmatic beings whose bulging eyes peer at the invisible? Is the sculpture confined to just these specimens? The range of styles is simply astonishing, the forms beyond imagination. The collection includes over 100 figurines, none of which is over 10cm tall: pendants, amulets, fortune tellers' statuettes or weights for gold. Introduced into our world through the metamorphosis of photography, transfigured by lighting and framing effects, these resurrected works have been revitalised, like apparitions from another world. Text in English and French.

The New Traditional - Heritage, Craftsmanship and Local Identity (Hardcover): Gestalten, Beside Media The New Traditional - Heritage, Craftsmanship and Local Identity (Hardcover)
Gestalten, Beside Media
R1,026 R806 Discovery Miles 8 060 Save R220 (21%) Ships in 10 - 15 working days
Allan Houser Drawings - The Centennial Exhibition (Paperback): W.Jackson Rushing, Hadley Jerman Allan Houser Drawings - The Centennial Exhibition (Paperback)
W.Jackson Rushing, Hadley Jerman
R503 Discovery Miles 5 030 Ships in 7 - 11 working days
Red - The Eiteljorg Contemporary Art Fellowship, 2013 (Paperback): Jennifer Complo McNutt, Ashley Holland Red - The Eiteljorg Contemporary Art Fellowship, 2013 (Paperback)
Jennifer Complo McNutt, Ashley Holland; Foreword by John Vanausdall
R880 Discovery Miles 8 800 Ships in 7 - 11 working days

"Red: Eiteljorg Contemporary Art Fellowship 2013," the eighth iteration of the Eiteljorg Museum's acclaimed biennial art series, documents the strength, drama, determination, and humor of contemporary Native art and the artists who create it. Celebrating the work of Invited Artist Lawrence Paul Yuxweluptun (Coast Salish/Okanagan) and Eiteljorg Fellows Julie Buffalohead (Ponca Tribe of Oklahoma), Nicholas Galanin (Tlingit/Aleut), Shan Goshorn (Eastern Band of Cherokee), and Meryl McMaster (Plains Cree/Blackfoot), "Red" declares that any person who lives with the idea that Native people are vanishing, weak, or failing to thrive needs simply to look at their art.
heather ahtone (Chickasaw Nation and Choctaw Nation of Oklahoma) is the James T. Bialac Assistant Curator for Native American and Non-Western Art at the Fred Jones Jr. Museum of Art, University of Oklahoma, Norman.
Dana Claxton (Lakota) is a video and performance artist whose projects form a subversive societal critique in time-based media that suit experimental storytelling.
Ashley Holland (Cherokee) is Assistant Curator of Contemporary Art at the Eiteljorg Museum.
Jennifer Complo McNutt is Curator of Contemporary Art at the Eiteljorg Museum and has been instrumental in the development and success of the Eiteljorg Contemporary Art Fellowship since its inception in 1999.
Tania Willard (Secwepemc Nation) is an artist who works within the shifting ideas around contemporary and traditional," "often with knowledge and skills that are conceptually linked to her interest in intersections between aboriginal and other cultures.

The Eugene B. Adkins Collection - Selected Works (Paperback): Jane Ford Aebersold, Christina E Burke, James Peck, B. Byron... The Eugene B. Adkins Collection - Selected Works (Paperback)
Jane Ford Aebersold, Christina E Burke, James Peck, B. Byron Price, W.Jackson Rushing, …
R892 Discovery Miles 8 920 Ships in 7 - 11 working days

A native of Tulsa, Oklahoma, Eugene B. Adkins (1920-2006) spent nearly four decades acquiring his extraordinary collection of Native American and American southwestern art. His vast assemblage includes paintings, photographs, jewelry, baskets, textiles, and ceramics by many of the Southwest's most renowned artists and artisans. This stunning volume features full-color reproductions of significant works from the Adkins Collection, some of which are reproduced here for the first time.

Adkins began collecting in the 1960s, when American southwestern art enjoyed a resurgence in popularity. Ultimately his holdings encompassed works by such distinguished American artists as Maynard Dixon, Dorothy Eugenie Brett, Charles Bird King, Alfred Jacob Miller, Charles M. Russell, and Joseph H. Sharp. In addition, Adkins was a passionate and prescient connoisseur of Native American art and artifacts, and his wide-ranging collection of works by Native artists includes paintings by T. C. Cannon, sculpture by Maria Martinez, and jewelry by Charles Loloma, all of which are represented in this book.

Along with its rich photographic sampling of works by Native and non-Native artists, "The Eugene B. Adkins Collection" offers informative essays by art historians and curators, whose areas of expertise coincide with Adkins's own interests. The volume also features a foreword by David L. Boren, President of the University of Oklahoma, and a preface by Randall Suffolk, Director of the Philbrook Museum of Art in Tulsa, and Ghislain D'Humieres, Director of the Fred Jones Jr. Museum of Art at the University of Oklahoma. These two museums, which share a commitment to preserving Native American art and artifacts, are joint stewards of the Eugene B. Adkins Collection.

Intimate Conversations - African Miniatures (Hardcover): Berenice G. Geoffroy, Nicole Dintenfass, John Dintenfass, Heinrich... Intimate Conversations - African Miniatures (Hardcover)
Berenice G. Geoffroy, Nicole Dintenfass, John Dintenfass, Heinrich Schweizer, Vincent Girier-Dufournier
R1,641 R1,262 Discovery Miles 12 620 Save R379 (23%) Ships in 10 - 15 working days

More than 130 works from the collection assembled by Drs Nicole and John Dintenfass over fifty years. The Dintenfass Collection serves as a model and a source of inspiration for new and seasoned collectors alike. A different slant on collecting which is not actually just buying from dealers. A lavishly illustrated book that traces the origin of a collector's interest in African art and analyses the psychological aspects driving the passions for collecting. The Nicole and John Dintenfass Collection is well known and based on aesthetics, and the works have been reproduced in many publications. They have collected with passion, diligence, depth and rigor monumental sculptures and wooden miniatures, from most regions of Africa. Focusing on pieces of the highest artistic quality, this book shares the collectors' personal point of view about collecting and offers to readers anecdotes that provide an additional insight into this world to future and present collectors in their search for African art. Collecting is a passion that often leads to intimate inner conversations or to emotional experiences with the objects themselves. Moreover many collectors share their unique experience of joy and appreciation with twentieth-century artists who also collected African art and who generously imparted advice, suggestions and support in responding to the collectors' enthusiasm. Thanks to the multiple beautiful and sensitive photographs of each object, the viewer has a chance to form an intimate conversation that creates a connection with those African master carvers that have strongly influenced modern realism, cubism and expressionism.

Reimagining Captain Cook - Pacific Perspectives (Paperback): Julie Adams, Lissant Bolton, Theano Guillaume-Jaillet, Mary... Reimagining Captain Cook - Pacific Perspectives (Paperback)
Julie Adams, Lissant Bolton, Theano Guillaume-Jaillet, Mary McMahon, Gaye Sculthorpe
R260 R211 Discovery Miles 2 110 Save R49 (19%) Ships in 10 - 15 working days
Discovering Southern African Rock Art (Paperback): David J. Lewis-Williams Discovering Southern African Rock Art (Paperback)
David J. Lewis-Williams
R200 R172 Discovery Miles 1 720 Save R28 (14%) Out of stock

The rock paintings and engravings of southern Africa have long been considered obscure, yet research has managed since to piece together that message, and we now know that this beautiful and detailed art tells us about the religious experiences of the San (bushmen) who made it: centuries ago the San believed that the art carried messages from the spirit world. This book traces the story behind that research, how it started, its failures and successes, and some of its debates, linking the art to the people who made it.

Free Delivery
Pinterest Twitter Facebook Google+
You may like...
Modern Spirit - The Art of George…
W.Jackson Rushing, Kristin Makholm Paperback R925 Discovery Miles 9 250
Gifts of Pride and Love - Kiowa and…
Barbara Hail Paperback R720 R572 Discovery Miles 5 720
Painted Journeys - The Art of John Mix…
Peter H. Hassrick, Mindy N. Besaw Hardcover R1,653 Discovery Miles 16 530
Storied Stone - Indian Rock Art in the…
Linea Sundstrom Paperback R592 R475 Discovery Miles 4 750
The James T. Bialac Native American Art…
Fred Jones Jr Museum of Art Hardcover R1,364 Discovery Miles 13 640
Art in Motion - Native American…
John P Lukavic, Laura Caruso Paperback R735 Discovery Miles 7 350
The James T. Bialac Native American Art…
Fred Jones Jr Museum of Art Paperback R863 Discovery Miles 8 630
Woody Crumbo
Minisa Crumbo Halsey, Ruthe Blalock Jones, … Paperback R752 Discovery Miles 7 520
Modern Spirit - The Art of George…
W.Jackson Rushing, Kristin Makholm Hardcover R1,212 Discovery Miles 12 120
The Eugene B. Adkins Collection…
Jane Ford Aebersold, Christina E Burke, … Hardcover R1,781 Discovery Miles 17 810