A CELEBRATION OF THE SCIENCE AND ART OF MAORI WEAVING, FOCUSED ON THE LARGEST COLLECTION OF MAORI CLOAKS IN THE WORLD Weaving is more than just a product of manual skills. From the simple rourou (food basket) to the prestigious kahukiwi (kiwi feather cloak), weaving is endowed with the very essence of the spiritual values of Maori people. This award-winning book opens the storeroom doors of the Te Papa Tongarewa Maori collections, illuminating the magnificent kakahu in those collections and the art and tradition of weaving itself. More than fifty rare and precious kakahu are featured within this book, with glossy colour detail illustrations of each, plus historical and contextual images and graphic diagrams of weaving techniques. These are accompanied by engaging descriptions bringing together information on every cloak - its age, materials, and weaving technique with quotes from master weavers and other experts, stories of the cloaks, details of their often remarkable provenance, discussion of how the craft is being revived and issues to do with cloaks held in international museums. A full glossary, illustrated guide to cloak types, and index are included. Contemporary cloaks made with novel materials also feature.

The fin de siecle not only designated the end of the Victorian epoch but also marked a significant turn toward modernism. Extraordinary Aesthetes critically examines literary and visual artists from England, Ireland, and Scotland whose careers in poetry, fiction, and illustration flourished during the concluding years of the nineteenth century. This collection draws special attention to the exceptional contributions that artists, poets, and novelists made to the cultural world of the late 1880s and 1890s. The essays illuminate a range of established, increasingly acknowledged, and lesser-known figures whose contributions to this brief but remarkably intense cultural period warrant close attention. Such figures include the critically neglected Mabel Dearmer, whose stunning illustrations appear in Evelyn Sharp's radical fairy tales for children. Equally noteworthy is the uncompromising short fiction of Ella D'Arcy, who played a pivotal role in editing the most famous journal of the 1890s, the Yellow Book. The discussion extends to a range of legendary writers, including Max Beerbohm, Oscar Wilde, and W.B. Yeats, whose works are placed in dialogue with authors who gained prominence during this period. Bringing women's writing to the fore, Extraordinary Aesthetes rebalances the achievements of artists and writers during the rapidly transforming cultural world of the fin de siecle.

Even ardent fans of Andy Warhol (1928-1987) may be surprised to learn that the artist created a significant body of western work. In fact, Warhol was drawn to the lore and lure of the American West throughout his life. He was heavily influenced by the mythology and iconography of the American West, conveyed primarily through film and television, and revealed at various points in his life by toys, clothing, and travel. His lifelong fascination with the West culminated with his 1986 series Cowboys and Indians, a print portfolio that represents an important milestone in the artist's late career and a shift in the conception of contemporary western American art. One of the last major projects Warhol completed prior to his death, Cowboys and Indians received very little critical or public attention at the time of its release and remains one of the most understudied aspects of the artist's career. Warhol and the West explores for the first time the range of western imagery Warhol produced. New scholarship examines how Warhol's western work merges the artist's ubiquitous portrayal of celebrities with his interest in cowboys, American Indians, and other western motifs. His work in the western genre is immediately recognizable, impressive, daring, inspirational, and sometimes confrontational. This body of work furthers our understanding of how the American West infiltrates the public's imagination through contemporary art and popular culture. The major traveling exhibition includes more than 100 objects and works of art including source materials revealing Warhol's process. The accompanying catalogue will feature essays by heather ahtone of the American Indian Cultural Center and Museum (AICCM) in Oklahoma City, Faith Brower of the Tacoma Art Museum, and Seth Hopkins of the Booth Western American Art Museum, as well as 12 additional contributors: Tony Abeyta, Sonny Assu, Gregg Deal, Lara M. Evans, Michael R. Grauer, Frank Buffalo Hyde, Thomas S. Kalin, Gloria Lomahaftewa, Daryn A. Melvin, Andrew Patrick Nelson, Chelsea Weathers, and Rebecca West. Published in association with Tacoma Art Museum. Exhibition dates: Booth Western Art Museum, Cartersville, GA: August 25-December 31, 2019 National Cowboy & Western Heritage Museum, Oklahoma City, OK: January 31-May 10, 2020 Tacoma Art Museum, Tacoma, WA: Summer 2020

Kachinas are supernatural beings from Indian religion and this selected bibliography lists over 100 references to magazine articles and books with information about them. Kachinas are often represented in carved and painted Indian dolls. The book contains an essay that explains the various aspects and meanings of the Kachina in Indian life and gives historical and philosophical background information. Eight full-page black and white drawings by New Mexico artist, Glen Strock, illustrate the text. Collectors will find this book invaluable and for the general reader it offers an introduction to a popular Indian art form and mythological figure.

More than a hundred years ago, anthropologists and other researchers collected and studied hundreds of examples of quillwork once created by Arapaho women. Since that time, however, other types of Plains Indian art, such as beadwork and male art forms, have received greater attention. In Arapaho Women's Quillwork, Jeffrey D. Anderson brings this distinctly female art form out of the darkness and into its rightful spotlight within the realms of both art history and anthropology. This book is the first comprehensive examination of quillwork within Arapaho ritualized traditions. Until the early twentieth century and the disruption of removal, porcupine quillwork was practiced by many indigenous cultures throughout North America. For Arapahos, quillwork played a central role in religious life within their most ancient and sacred traditions. Quillwork was manifest in all life transitions and appeared on paraphernalia for almost all Arapaho ceremonies. Its designs and the meanings they carried were present on many objects used in everyday life, such as cradles, robes, leanback covers, moccasins, pillows, and tipi ornaments, liners, and doors. Anderson demonstrates how, through the action of creating quillwork, Arapaho women became central participants in ritual life, often studied as the exclusive domain of men. He also shows how quillwork challenges predominant Western concepts of art and creativity: adhering to sacred patterns passed down through generations of women, it emphasized not individual creativity, but meticulous repetition and social connectivity - an approach foreign to many outside observers. Drawing on the foundational writings of early-nineteenth-century ethnographers, extensive fieldwork conducted with Northern Arapahos, and careful analysis of museum collections, Arapaho Women's Quillwork masterfully shows the importance of this unique art form to Arapaho life and honors the devotion of the artists who maintained this tradition for so many generations.

Retrace the steps it took for the most famous potter in the Southwest, Maria Martinez, to produce one of her prized pieces of black on black pottery. The history of Maria, her husband Julian, and son Popovia Da, is noted. The book is a tribute to this family, renowned for its contributions to classic pottery.

This book contains a selection of research, spanning two decades, from 1994 (the Wits conference on the San and their rock art, organised by David Lewis-Williams) to August 2011 with Pippa Skotnes and Jeanette Deacon’s 'The courage of //Kabbo' conference (University of Cape Town), celebrating the centenary of the publication of Bleek and Lloyd’s Specimens of Bushman Folklore in 1911.