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Books > Arts & Architecture > History of art / art & design styles > Art styles not limited by date > Art of indigenous peoples

Color World Culture - American Indian Art, Pre-Columbian Art (Paperback): Swarna Mitra, Malika Mitra Color World Culture - American Indian Art, Pre-Columbian Art (Paperback)
Swarna Mitra, Malika Mitra; Mrinal Mitra
R483 Discovery Miles 4 830 Ships in 10 - 15 working days
The New Advanced Placement* Art History Curriculum in the Indigenous Americas - A Teacher's Guide to the Required... The New Advanced Placement* Art History Curriculum in the Indigenous Americas - A Teacher's Guide to the Required Monuments from Mesoamerica (Ancient Mexico) (Paperback)
Rebecca R Stone
R692 Discovery Miles 6 920 Ships in 10 - 15 working days
Repositioning Pacific Arts - Artists, Objects, Histories (Hardcover, First): Anne E Allen, Deborah B. Waite Repositioning Pacific Arts - Artists, Objects, Histories (Hardcover, First)
Anne E Allen, Deborah B. Waite
R3,630 Discovery Miles 36 300 Ships in 10 - 15 working days

In investigating both customary and modern Pacific art, these collected essays present a wide-ranging view across time and space, taking the reader from antiquities to contemporary art and travelling across the region from Australia, Papua New Guinea, Solomon Islands, New Zealand to Samoa. Studies of artefacts and traditions, such as self-portraiture, wood carvings, shields, tapa, dance and masks, use a variety of approaches, some deriving from museum studies while others are based on field investigation. Together they reveal the oppositional tensions between tradition and innovation, and the inspiration this provides for contemporary artistic practice, either through conscious implementation or through rejection of past definitions. Engagement with these cultural performances and objects provide new possibilities for the creation of current identities. The drafting of antiquities legislation, the tortuous journeys objects have taken to find a place in galleries, the use of exhibitions in cultural exchange, framed by the architecture of museums, as well as the role of film and photography in appropriating Pacific art culture for emerging nationalisms, all of these are considered here to enhance our understanding of indigenous art's place in the world today. These historical perspectives provide the framework in which to explore contemporary acquisition and outreach work with Pacific communities that seeks to reconnect people with objects taken away from the places and intentions of their makers. Questions of how identity is maintained and expressed through art are considered for both individuals and groups. What role does the transformations of objects play in this process? What impacts have been made by colonialism, modernism and the great migrations of people between Pacific countries, and from rural to urban environments? Ultimately, how is 'Pacific Islander' defined and by whom? In Repositioning Pacific Art, artists, curators and academics, including Maori and other Islanders, bring fresh approaches to Oceanic Art History and raise questions of relevance not only to scholars of indigenous art in the region but also in other parts of world.

Spirit Winds of Peace - The Epoch of the Peace Makers (Paperback): Marcine "Niyawehnsie" Quenzer Spirit Winds of Peace - The Epoch of the Peace Makers (Paperback)
Marcine "Niyawehnsie" Quenzer
R1,399 Discovery Miles 13 990 Ships in 10 - 15 working days

Let Marcine take you on a journey into the distant past through her paintings. An accomplished artist, she brings to life the ancient tales of the peoples who call themselves the Haudenosaunee, People of the Longhouse. We know them better as the Iroquois League of Nations. "Thank you for your efforts to honor and uplift the work of the Peacemaker to establish a Peace that will prevail on earth. It is time to raise that legacy to a higher standard of global public visibility. Your art is a majestic vehicle to bring this about." -David Yarrow, Dancing Turtle, Defender of Mother Earth, Healer, Author, Dowser "Marcine Quenzer is one of the best storytellers I have ever heard. Her knowledge of the Iroquoian people inspires, educates and entertains. She is a Master of her Art." -Curtis Harwell, CEO of Heaven on Earth Foundation "Marcine Quenzer has the gift of the true Sachem for tuning into ancient cultures and bringing forward the wisdom and lessons of their natural spirituality so needed in these days." -Frank Jordan, Past President of National Dowsers Association, Healer, Author Marcine Quenzer has brought to her book, Spirit Winds of Peace: The Epoch of the Peacemakers, the same beauty, eloquence and truth that she brought to the Peacemakers' journey through her inspirational artwork. Her book does much to reveal this journey - a revelation that is so needed at this time to remind us that love is indeed the answer. Thank you, Marcine, for this gift to all humanity. -Robert Roskind, author of "The Beauty Path: A Native American Journey into One Love" The Wyandotte Nation of Oklahoma, through resolution of the Board of Directors, has named Marcine Quenzer as "Wyandotte Nation Associate Artist" of the Nation, for the longstanding work she has done in artistic portrayals of Wendot history, and stories, cultural presentations, and teaching of the youth of many First Nations. -Leaford Bearskin, Chief, and James Bland, second Chief... 2003

Color Pre-Columbian Art (Paperback): Swarna Mitra, Malika Mitra Color Pre-Columbian Art (Paperback)
Swarna Mitra, Malika Mitra; Mrinal Mitra
R483 Discovery Miles 4 830 Ships in 10 - 15 working days
Color American Indian Art (Paperback): Swarna Mitra, Malika Mitra Color American Indian Art (Paperback)
Swarna Mitra, Malika Mitra; Mrinal Mitra
R483 Discovery Miles 4 830 Ships in 10 - 15 working days
The Visual Language of Wabanaki Art (Hardcover): Jeanne Morningstar Kent The Visual Language of Wabanaki Art (Hardcover)
Jeanne Morningstar Kent
R862 R703 Discovery Miles 7 030 Save R159 (18%) Ships in 10 - 15 working days
A Basic Guide to Northwest Coast Formline Art (Paperback): Rico Lanatt Worl, Shaadoo' Tlaa, Donald Heendei Gregory A Basic Guide to Northwest Coast Formline Art (Paperback)
Rico Lanatt Worl, Shaadoo' Tlaa, Donald Heendei Gregory
R365 Discovery Miles 3 650 Ships in 10 - 15 working days

Art is integral to the life ways of the Tlingit, Haida, and Tsimshian. It surrounds us and it holds us up. Our Northwest Coast art is ingrained in the social fabric and oral histories of our clans. It is characterized by formline-a term used to describe the unique artistic style of the indigenous people of the Northwest Coast. Formline is a composition of lines whose widths vary to create form. The overall collection of these compose an image or design. The formline designs may represent stories of Raven (the Trickster), historic events, clan crests, or other concepts. Formline is an art that dates back more than two thousand years (Brown 1998). Two-dimensional formline is depicted on objects such as bentwood boxes, clan hats, and house screens. Though formline is drawn in two dimensions, it transforms to be adapted to three-dimensional pieces, such as masks and totem poles. In this booklet we hope to provide a concise and easy-to-understand guide for interpreting Northwest Coast formline art.

Sunfaces - Hand Drawn Sunfaces to Color and Design (Paperback): Mallery Quetawki Sunfaces - Hand Drawn Sunfaces to Color and Design (Paperback)
Mallery Quetawki
R269 Discovery Miles 2 690 Ships in 10 - 15 working days

The sun is a revered deity in Zuni Pueblo and many other Native American cultures. This book contains several sun face designs for you to color and design with your own ideas.

"Tribal Perspectives" of the Tubatulabal Baskets in the California State Parks Museum Resource Center - Tubatulabal Tribe... "Tribal Perspectives" of the Tubatulabal Baskets in the California State Parks Museum Resource Center - Tubatulabal Tribe (Paperback)
Pakanapul Language Team; Donna Miranda-Begay
R354 Discovery Miles 3 540 Ships in 10 - 15 working days

Tribal Perspectives of Tubatulabal Tribal Baskets located at California State Parks Museum Resource Center. Includes Tribal Language, Basket designs and patterns, and Tribal History.

Rock Art and Sacred Landscapes (Hardcover, 2014 ed.): Donna L. Gillette, Mavis Greer, Michele Helene Hayward, William Breen... Rock Art and Sacred Landscapes (Hardcover, 2014 ed.)
Donna L. Gillette, Mavis Greer, Michele Helene Hayward, William Breen Murray
R4,065 Discovery Miles 40 650 Ships in 10 - 15 working days

Social and behavioral scientists study religion or spirituality in various ways and have defined and approached the subject from different perspectives. In cultural anthropology, and archaeology the understanding of what constitutes religion involves beliefs, oral traditions, practices and rituals, as well as the related material culture including artifacts, landscapes, structural features and visual representations like rock art. Researchers work to understand religious thoughts and actions that prompted their creation distinct from those created for economic, political, or social purposes. Rock art landscapes convey knowledge about sacred and spiritual ecology from generation to generation.

Contributors to this global viewdetail how rock art can be employed to address issues regarding past dynamic interplaysof religions and spiritual elements. Studies from a number of different cultural areas and time periods explore how rock artengages the emotions, materializes thoughts and actions, and reflects religiousorganization as it intersects with sociopolitical cultural systems."

sacred clowns (Paperback): James R. Murphy sacred clowns (Paperback)
James R. Murphy
R693 Discovery Miles 6 930 Ships in 10 - 15 working days

There was a time when I was privileged to build a small sacred fire on a mound in the sacred circle for new moon ceremonies. The fire was an embodiment of the spirit made manifest for the group who came together to replenish their collective and individual spirits. It was my privilege to make pretty fires which danced as they burned. This task of mine was a sacred task and I took it seriously, but what I enjoyed most about the festivities was the joy and humor which infested all who participated. One of the many things I have experienced in my long life is the joy and laughter I have always associated with Native American activities. When Indians are together they laugh together, much more than I have noticed in gatherings of non-Indians, who have other cultural indicators of spirituality. Many Native traditions hold clowns and tricksters as essential to contact with the sacred. People prayed after they had laughed, because laughter tended to open one's mind and free up rigid preconceptions. So human animals had tricksters within the most sacred ceremonies lest they forget how the sacred comes through upset, reversal, surprise. The trickster in most Native traditions is essential to creation, to birth. And the heyokah, the booger, the clown, the neweekwe, the koshari, the contrary, was the sacred bringer of this laughter. The bringing of laughter to the group was often accomplished with a zany dance of pratfalls or patently absurd physical activities. There is a shared understanding of the need for this aspect of sacred dancing being necessary to open the spirits of the people, to prepare them to participate in the spiritual togetherness of the sacred circle. The sacred clowns of the Native Americans were very often overtly sexual in their "clowning"; so much so that in modern American society they would all be pilloried for sexual aggression. One must remember that these clowns were male, female, and bisexual. Their sexually explicit stance was their way of forcing their audience, the other members of their group, into a place of embarrassment which could be relieved only by laughter. Laughter was the weapon of change in an individual's anti-social behavior. Poking fun was the ultimate weapon of shaming. And because it produced laughter all could share in a release of tension caused by the wrongness involved. So when i finally found a thick, stiff nylon string to make string figures with I began to make dancing figures which became for me a series of "sacred clowns" personifying this crucial part of my cultural upbringing. This book is a partial record of my ongoing passion of creating touchstones of laughter, for reaching the spirituality within us all. inoli

Echoes of the Supernatural - The Graphic Art of Robert Davidson (Hardcover): Gary Wyatt Echoes of the Supernatural - The Graphic Art of Robert Davidson (Hardcover)
Gary Wyatt; Foreword by Karen Duffek; Artworks by Robert Davidson
R1,380 R1,208 Discovery Miles 12 080 Save R172 (12%) Ships in 9 - 15 working days

Over six decades of brilliant prints and paintings from the most prominent Northwest Coast artist of his generation. Since leaving Haida Gwaii to study art in Vancouver-where he carved argillite with Bill Reid in a department store and hand-sold prints on the UBC campus-Guud sans glans, Robert Davidson has moved between two worlds. As a host of Potlatches, carver of masks and totem poles, and performer and teacher of traditional Haida songs and dances, he has been one of the driving forces in the resurgence of Haida culture in the aftermath of colonization. As an artist working in serigraphs, acrylic, wood, silver, and aluminum to preserve and breathe new life into Haida formline, he has become among the most respected, celebrated, and thrilling artists in the country, if not the world. Echoes of the Supernatural is the first publication in over forty years to offer a comprehensive visual retrospective of his astonishing career. It includes new photography of over 150 prints, as well as images of over fifty paintings; numerous painted woven hats, painted and carved sculptures, jewellery, aluminum sculpture; and dozens of archival photos. His long-time gallerist Gary Wyatt, who worked closely with Davidson in shaping the book and received full access to his archives, details the artist's life and career, and offers insights on the work based on extensive new interviews. A foreword by Karen Duffek situates the contours of Davidson's practice within the broader Northwest Coast art world.

The Divine Heart of Things - Pre-Columbian Art from the Ludwig Collection (Paperback): Christiane Clados, Stefanie Teufel,... The Divine Heart of Things - Pre-Columbian Art from the Ludwig Collection (Paperback)
Christiane Clados, Stefanie Teufel, Andrea Ruf
R881 Discovery Miles 8 810 Ships in 12 - 17 working days

This catalogue presents around 200 artifacts from Irene and Peter Ludwig's collection of pre-Columbian art from the Americas. The works are organized thematically and ethnically, looking at pottery of the Mimbres culture; Mayan works in jade and the diversity of cultures in postclassic Western Mesoamerica (Toltecs, Aztecs, Mixtecs, Zapotecs and Tarascans); the development of early cultures in the Central Andes; ancient Peruvian erotic sculpture; metallurgy in the pre-Hispanic Andes; ritual drinking and libation; and many other topics and genres. A final section considers the appropriation of the pre-Columbian past throughout history and in the present. Also included are timelines of ancient American cultures. The Ludwig Collection today is part of the Rautenstrauch-Joest Museum in Cologne.

Pahranagat Man, Nevada's Mysterious Anthropomorph - Along the Pahranagat Trail, Lincoln County, Nevada (Paperback): R a... Pahranagat Man, Nevada's Mysterious Anthropomorph - Along the Pahranagat Trail, Lincoln County, Nevada (Paperback)
R a Clabaugh, P B Clabaugh
R725 Discovery Miles 7 250 Ships in 10 - 15 working days
The Making of Asmat Art - Indigenous Art in a World Perspective (Hardcover, New): Nick Stanley The Making of Asmat Art - Indigenous Art in a World Perspective (Hardcover, New)
Nick Stanley
R2,583 Discovery Miles 25 830 Ships in 10 - 15 working days

Why has Asmat art, from a remote and small south-coast West Papuan society, had such a significant and prolonged impact on the world stage? This book explores the way major collections were made and examines the motivations of the collectors, their relationships with those from whom they purchased and the circumstances of the exchange. It also considers the involvement of artists and film-makers, anthropologists, representatives of the civil authorities and missionaries. Asmat artists have maintained their unique appeal through constant stylistic innovation and by engagement with new publics, both locally and internationally, as exemplified by the recent displays of women's weaving alongside the men's carved wooden shields, drums and figures. Despite accelerating social changes, Asmat art continues to thrive as a compelling and transformative Melanesian presence in the global art world. 'Awe-inspiring works of Asmat art loom large in the Metropolitan Museum of Art in New York and in dozens of other great museums around the world. Nick Stanley's engagingly written study provides the best history to date of the making of Asmat art traditions and of their avid acquisition by successive European and north American collectors. Most importantly, the book foregrounds the creativity and imagination of Asmat artists themselves. This is a book that will be welcomed by everyone interested in the arts of the Pacific.' Nicholas Thomas, University of Cambridge

Rock Art in the Americas: Mythology Cosmogony and Rituals - Proceedings of the 2nd REEA Conference Ritual Americas:... Rock Art in the Americas: Mythology Cosmogony and Rituals - Proceedings of the 2nd REEA Conference Ritual Americas: Configurations and Recombining of the Ritual Devices and Behaviors in the New World, in Historical and Contemporary Societies Louvain-la-Neuve (Belgium) April 2-5, 2008 (Paperback, New)
Francoise Fauconnier, Serge Lemaitre
R1,565 Discovery Miles 15 650 Ships in 10 - 15 working days

Contents: Introduction (Francoise Fauconnier and Serge Lemaitre); 1) Rock art sites as spiritual places ? Canadian Shield rock art as part of the Algonquian sacred landscape (Daniel Arsenault); 2) Thunderbirds and Horned Snakes: Cosmogony at Canadian Rock Art Sites (Serge Lemaitre); 3) Cueva de la Serpiente: Interpretive Analysis of an Archaic Great Mural Rock Art Panel, Mulege, Baja California Sur, Mexico (Roberto Martinez, Larissa Mendoza and Ramon Vinas); 4) El Salto del Perro, Durango, Mexico: La construccion de un paisaje sagrado en los confines de Mesoamerica (Fernando Berrojalbiz y Marie-Areti Hers); 5) Paisaje y petrograbados del sitio de la Ferreria, Durango, Mexico (Jose Luis Punzo Diaz); 6) Imagenes de guerreros en el arte rupestre del norte de Michoacan. Una aproximacion a los ritos de los cazadores recolectores del Posclasico (Brigitte Faugere); 7) The Cave of the Bat, a Primordial Cave of the Sun, Acapulco, Mexico (Martha Cabrera Guerrero); 8) Myths and Oral Tradition in the Study of Rock Art: High Plains of Cundinamarca-Boyaca, Past Ethnohistory and Country Folk Tradition (Guillermo Munoz C.); 9) The Rock Art of the Bochica Route. Possible Connections between Oral Tradition and Sense and Function of Rock Art (Judith Trujillo Tellez); 10) El arte rupestre del rio San Juan del Oro (Bolivia): Reflexiones sobre el simbolismo y la funcion de las imagenes (Francoise Fauconnier).

Images and Power - Rock Art and Ethics (Paperback, 2013 ed.): Polly Schaafsma Images and Power - Rock Art and Ethics (Paperback, 2013 ed.)
Polly Schaafsma
R1,816 Discovery Miles 18 160 Ships in 10 - 15 working days

Ethics and Rock Art: Images and Power addresses the distinctive ways in which ethical considerations pertain to rock art research within the larger context of the archaeological ethical debate. Marks on stone, with their social and religious implications, give rise to distinctive ethical concerns within the scholarly enterprise as different perceptions between scholars and Native Americans are encountered in regard to worldviews, concepts of space, time, and in the interpretation of the imagery itself. This discourse addresses issues such as the conflicting paradigms of oral traditions and archaeological veracity, differing ideas about landscapes in which rock art occurs, the intrusion of "desired knowledge", and how the past may be robbed by changing interpretations and values on both sides. Case studies are presented in regard to shamanism and war-related imagery. Also addressed are issues surrounding questions of art, aesthetics, and appropriation of imagery by outsiders. Overall, this discourse attempts to clarify points of contention between Euro-American scholars and Native Americans so that we can better recognize the origins of differences and thus promote better mutual understanding in these endeavors.

Warriors of the Plains - The Arts of Plains Indian Warfare (Paperback): Max Carocci Warriors of the Plains - The Arts of Plains Indian Warfare (Paperback)
Max Carocci
R927 R853 Discovery Miles 8 530 Save R74 (8%) Ships in 12 - 17 working days

Warriors of the Plains explores the art of North American Plains Indian warriors - weapons, amulets, clothing and ceremonial objects - with particular emphasis on their ritual use and symbolic meanings. Unlike most books on Plains Indians, which have a purely historical focus, this title examines continuity and change between historic warrior societies and contemporary Native American military associations. Originally set up as clubs to organise war raids and to police seasonal cycles of nomadic hunting, warrior societies today maintain much of the Plains Indians' ethos, vigorously reinforcing their cultural, national and ethnic identity. With a new approach to the subject the author reveals how specific items and symbols - objects of "ritual and honour" - such as the American flag, eagle feathers and medicine bundles have been used over the last 200 years, as well as exploring the introduction of new elements in modern ceremonial practices such as powwow dance competitions and war veterans' celebrations. Lavishly illustrated with objects from the British Museum's important collections, as well as archival material, this book features previously unpublished material. Max Carocci has been conducting research on Plains Indians since 1989. Since 2006 he has been researching and collecting in this area for the British Museum and is the curator of the touring exhibition "Warriors of the Plains: 200 years of Native North American honour and ritual". He lectures on Indigenous American Arts at Birkbeck College, University of London and is editor of the Anthropological Index Online run by the Royal Anthropological Institute.

Pacific Island Artists - Navigating the Global Art World (Paperback): Karen Stevenson Pacific Island Artists - Navigating the Global Art World (Paperback)
Karen Stevenson
R1,760 R1,369 Discovery Miles 13 690 Save R391 (22%) Ships in 10 - 15 working days

Pacific Island Artists Navigating the Global Art World brings together artists, academics, museum curators and gallery owners to discuss the creation and promotion of contemporary Pacific arts in the global art world.Addressing art production from across the Pacific region (Australia, Papua, Papua New Guinea, the Solomon Islands, Vanuatu, Fiji, Rotuma, Samoa, Tonga, New Zealand, Guam, Hawaii, and the Northwest Coast of Canada) this volume examines how these arts are exhibited and marketed on a world stage. It provides the opportunity for a global dialogue concerning contemporary indigenous arts while it explores the diversity and complexities of contemporary Pacific art. In so doing, these contributors confront a variety of issues associated with the production, marketing and acceptance of indigenous arts in a global art world.

Notes on the Cognitive Texture of an Oral Mind - Kitawa, A Melanesian Culture (Hardcover, New): Giancarlo M.G. Scoditti Notes on the Cognitive Texture of an Oral Mind - Kitawa, A Melanesian Culture (Hardcover, New)
Giancarlo M.G. Scoditti
R2,690 Discovery Miles 26 900 Ships in 10 - 15 working days

This book marks the culmination of Giancarlo M.G. Scoditti's renowned series of publications on the cultural production of the northern Massim island of Kitawa, Papua New Guinea. It explores how the Nowau 'creators of images' conceive of the way their artistic compositions come about - sketching Kitawan cognitive philosophy and aesthetic practice. Describing how for them images grow like the loops of the Nautilus shell - one of nature's prominant demonstrations of the logarithmic spiral and the golden section - Scoditti's analysis of Kitawan cognitive and artistic principles resonates with Levi-Strauss's work on myth and Kant's notion of the mental schema, and makes a ground-breaking contribution to our understanding of the 'oral mind'.

Remembering Forward (Hardcover, New): Remembering Forward (Hardcover, New)
R958 R760 Discovery Miles 7 600 Save R198 (21%) Out of stock

"Remembering Forward" presents works by nine of the most prominent Australian Aboriginal artists: Paddy Bedford, Emily Kame Kngwarreye, Queenie McKenzie, Dorothy Napangardi, Rover Thomas, Ronnie Tjampitjinpa, Clifford Possum Tjapaltjarri, Tim Leura Tjapaltjarri and Turkey Tolson Tjupurrula. Their works are situated in, and generate, a peculiar tension between traditional and modern and past and present. On the one hand, they usually take as their subject the so called 'Dreamtime' of prehistory from which myths of the earth's and humankind's creation have been handed down. In that regard they are deeply traditional. On the other, these artists have radically changed their medium and method of art-making over the last forty years. Inherited practices of sand- and body-painting have been transformed such that the paintings are executed in acrylic on canvas or other portable media. These changes afforded the artists entry to the global art market. Thus they have adjusted to address an outside public and keep the images free of those parts of the Dreamings that, in their own culture, are reserved for the initiated.

Zuni Pottery Designs to Color - 30 Modern Twists on Ancient Designs (Paperback): Mallery Quetawki Zuni Pottery Designs to Color - 30 Modern Twists on Ancient Designs (Paperback)
Mallery Quetawki
R240 Discovery Miles 2 400 Ships in 10 - 15 working days

Zuni designs to color or use as an artist's reference.

Alaska's Totem Poles (Paperback, Revised ed.): Pat Kramer Alaska's Totem Poles (Paperback, Revised ed.)
Pat Kramer; Foreword by David A Boxley
R382 R314 Discovery Miles 3 140 Save R68 (18%) Ships in 10 - 15 working days

In this newly revised edition of ALASKA'S TOTEM POLES, readers learn about the history and use of totems, clan crests, symbolism, and much more. A special section describes where to go to view totems. Foreword writer David A. Boxley offers the unique perspective of a Native Alaskan carver who has been a leader in the renaissance of totem carving.

Cherokee Pottery - From the Hands of Our Elders (Hardcover): 'M. Anna Fariello Cherokee Pottery - From the Hands of Our Elders (Hardcover)
'M. Anna Fariello; Introduction by Jane Eastman
R865 R706 Discovery Miles 7 060 Save R159 (18%) Ships in 10 - 15 working days
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