The Anarchist Cinema examines the complex relationships that exist
between anarchist theory and film. No longer hidden in obscure
corners of cinematic culture, anarchy is a theme that has traversed
arthouse, underground and popular film. James Newton explores the
notion that cinema is an inherently subversive space, establishes
criteria for deeming a film anarchic, and examines the place of
underground and DIY filmmaking within the wider context of the
category. The author identifies subversive undercurrents in cinema
and uses anarchist political theory as an interpretive framework to
analyse filmmakers, genres and the notion of cinema as an anarchic
space.
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