In this book, Stone effects a return to gender, after many years
of neglect by Twenty-First-Century critics, via a methodology of
close reading that foregrounds moments of sexual decentering and
disequilibrium within the text and in the interstices of the
dialogue between Shakespeare and his critics. Issues addressed
range from the cross dressing of Viola and Imogen to the cross
gartering of Malvolio, the sound of "un" and the uncanny lyric
narcissism of Richard II, Hamlet's misogyny, androgyny, and the
poison of marital/political "union," Othello's fears of impotence,
rumors of Antony's emasculation versus the militant yet nurturing
triumphalism of Cleopatra's suicide, and Posthumus's hysterical
reaction to the "woman's part" in himself and his compensatory
fantasies of parthenogenesis. Stone unpacks ideologically powerful
but unsustainable male claims to self-identity and sameness, set
over against man's type-gendering of women as the origin of
divisive sexual difference, discord, and the dissolution of
marriage. Men who blame women for the difference that divides and
weakens their sense of unity and sameness to oneself are
unconscious that the uncanny feminine is not outside the masculine,
its reassuring canny opposite; it is inside the masculine, its
uncanny difference from itself.
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