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Pulling Focus - Intersubjective Experience, Narrative Film, and Ethics (Paperback)
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Pulling Focus - Intersubjective Experience, Narrative Film, and Ethics (Paperback)
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The most powerful films have an afterlife. Their sensory appeal and
their capacity to elicit involvement in story, character and
conflict reaches beyond the screen to subtly reframe the way
spectators view ethical issues and agents within the narrative, and
in the world outside the cinema. Pulling Focus: Intersubjective
Experience and Narrative Film questions how cinematic narratives
relate to and affect ethical life. Extending Martha Nussbaum and
Wayne Booth's work on moral philosophy and literature to consider
cinema, Dr. Stadler shows that film spectatorship can be understood
as a model for ethical attention that engages the audience in an
affective relationship with characters and their values. Building
on Vivian Sobchack's Address of the Eye and Carnal Thoughts, she
uses a phenomenological approach to analyse ethical dimensions of
film extending beyond narrative content, arguing that the camera
describes experience and views screen characters with an evaluative
form of perception: an ethical gaze in which spectators
participate. Films discussed include Dead Man Walking, Lost
Highway, Batman Begins, Nil By Mouth, and Eternal Sunshine of the
Spotless Mind.>
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