Postopera: Reinventing the Voice-Body (Hardcover, New Ed)

Both in opera studies and in most operatic works, the singing body is often taken for granted. In Postopera: Reinventing the Voice-Body, Jelena Novak reintroduces an awareness of the physicality of the singing body to opera studies. Arguing that the voice-body relationship itself is a producer of meaning, she furthermore posits this relationship as one of the major driving forces in recent opera. She takes as her focus six contemporary operas - La Belle et la Bete (Philip Glass), Writing to Vermeer (Louis Andriessen, Peter Greenaway), Three Tales (Steve Reich, Beryl Korot), One (Michel van der Aa), Homeland (Laurie Anderson), and La Commedia (Louis Andriessen, Hal Hartley) - which she terms 'postoperas'. These pieces are sites for creative exploration, where the boundaries of the opera world are stretched. Central to this is the impact of new media, a de-synchronization between image and sound, or a redefinition of body-voice-gender relationships. Novak dissects the singing body as a set of rules, protocols, effects, and strategies. That dissection shows how the singing body acts within the world of opera, what interventions it makes, and how it constitutes opera's meanings.

General

Imprint:	Routledge
Country of origin:	United Kingdom
Series:	Ashgate Interdisciplinary Studies in Opera
Release date:	May 2015
First published:	2015
Authors:	Jelena Novak
Dimensions:	234 x 156 x 22mm (L x W x T)
Format:	Hardcover
Pages:	192
Edition:	New Ed
ISBN-13:	978-1-4724-4103-4
Categories:	Books > Arts & Architecture > Performing arts > Theatre, drama > Opera Books > Arts & Architecture > Music > Theory of music & musicology > General Books > Arts & Architecture > Music > Western music, periods & styles > 20th century music Books > Music > Theory of music & musicology > General Books > Music > Western music, periods & styles > 20th century music
LSN:	1-4724-4103-6
Barcode:	9781472441034

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