Polish painter Jakub Julian Ziolkowski (born 1980) mixes elements
of the carnivalesque, the decorative and the fantastical in his
wild cosmos of mutant humans, lumpy forms and strange circulatory
systems-as though Paul Thek had used the hand and eye of Philip
Guston to paint his sculptures. Ziolkowski belongs to a generation
of Polish artists who have erected their own personal universes as
a bulwark against realisms.
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