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Cannibalizing Queer - Brazilian Cinema from 1970 to 2015 (Paperback)
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Cannibalizing Queer - Brazilian Cinema from 1970 to 2015 (Paperback)
Series: Queer Screens
Expected to ship within 10 - 15 working days
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Puts forward a new, provocative history of queer cinema in Brazil.
Through an analysis of contemporary Brazilian cinematic
production,Cannibalizing Queer: Brazilian Cinema from 1970 to 2015
discusses which queer representations are erased and which are
acknowledged in the complex processes of cultural translation,
adaptation, and "devouring" that defines the Brazilian
understanding of sexual dissidents and minorities. Joao Nemi Neto
argues for Brazilian cinema studies to acknowledge the importance
of 1920s modernism and of antropografia, a conceptual mode of
cannibalism, to adopt and extrapolate a perverse form of absorption
and raise the stakes on queer theory and postcolonialism, and to
demonstrate how they are crucial to the development of a queer
tradition in Brazilian cinema. In five chapters and two "trailers,"
Nemi Neto understands the term "queer" through its political
dimensions because the films he analyzes represent characters that
conform neither to American coming-out politics nor to Brazilian
identity politics. Nonetheless, the films are queer precisely
because the queer experiences and affection explored in these films
do not necessarily insist on identifying characters as a particular
sexuality or gender identity. Therefore, attention to characters
within a unique cinematic world raises the stakes on several issues
that hinge on cinematic form, narrative, and representation. Nemi
Neto interviews and examines the work of Joao Silverio Trevisan and
provides readings of films such as AIDS o furor do sexo explicito
(AIDS the Furor of Explicit Sex, 1986), and Dzi Croquettes (2009)
to theorize a productive overlap between queer and antropofagia.
Moreover, the films analyzed here depict queer alternative
representations to both homonormativity and heteronormativity as
forms of resistance, at the same time as prejudice and
heteronormativity remain present in contemporary Brazilian social
practices. Graduate students and scholars of cinema and media
studies, queer studies, Brazilian modernism, and Latin American
studies will value what one early reader called "a point of
departure for all future research on Brazilian queer cinema.
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