Were those who worked in the theatres of the Third Reich willing
participants in the Nazi propaganda machine or artists independent
of official ideology? To what extent did Richard Strauss and Carl
Orff follow Nazi dogma? How did famous directors such as Gustaf
Grudgens and Jurgen Fehling react to the new regime? Why were
Shakespeare and George Bernard Shaw among the most performed
dramatists of the time? And why did the Nazis sanction Jewish
theatre? This is the first book in English about theater in the
entire Nazi period. Based on contemporary press reports, research
in German archives, and interviews with surviving playwrights,
actors, and musicians, it is a much needed guide to this neglected
area of European culture.
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